[Commlist] Journal of Screenwriting 12.1 published

Intellect is pleased to announce that /Journal of Screenwriting/ 12.1 is 
out now!


For more information about the journal and issue, including call for 
papers and subscriptions, click here >> 
https://www.intellectbooks.com/journal-of-screenwriting 
<https://www.intellectbooks.com/journal-of-screenwriting>


*Aims & Scopes*


The /Journal of Screenwriting/ is an international double-blind 
peer-reviewed journal that is published three times a year. The journal 
highlights current academic and professional thinking about the 
screenplay and intends to promote, stimulate and bring together current 
research and contemporary debates around the screenplay whilst 
encouraging groundbreaking research in an international arena. The 
journal is discursive, critical, rigorous and engages with issues in a 
dynamic and developing field, linking academic theory to screenwriting 
practice.


*Issue 12.1*


Editorial 
<https://www.ingentaconnect.com/content/intellect/josc/2021/00000012/00000001/art00001;jsessionid=49ge3crlmm4dk.x-ic-live-03>

CRAIG BATTY


_Articles_


Gun violence, phenomenal reality and parallel worlds: Christina Kallas’s 
multi-protagonist narratives in /The Rainbow Experiment/ 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000001/art00002>

MILLA COZART RIGGIO


Russian web series: Mastering the new format 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000001/art00003>

ARTEM PROKHOROV


Collaborative self-translation in the screenplays of /The Godfather 
trilogy/ 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000001/art00004>

RINA GEFEN AND RACHEL WEISSBROD


Serial offenders? Defining the boundaries of series and serial TV for 
screenwriting practice and theory 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000001/art00005> 


MARCO IANNIELLO AND CRAIG BATTY


How narrative techniques attract young parents: The refiguration of 
Logger Vick in the Chinese 3D animated film, /Boonie Bears: To the 
Rescue/ 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000001/art00006>//

SHAOPENG CHEN


Writing/performing myself on-screen: Daniel Monks’ memory work on film 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000001/art00007> 


KERREEN ELY-HARPER


_Book Reviews_


/The Art of Screen Adaptation: Top Writers Reveal Their Craft,/ Alistair 
Owen (2020) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000001/art00008> 


CHRISTOPHER GIST

/
/

/The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist/, 
Julien Gorbach (2019) /Ben Hecht: Fighting Words, Moving Pictures 
(Jewish Lives)/, Adina Hoffman (2019) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000001/art00009>

CLAUS TIEBER


/Slay the Dragon: Writing Great Video Games/, Robert Denton Bryant and 
Keith Giglio (2015) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000001/art00010>

YOUSIF NASH


/Da criação ao Roteiro: Teoria e Prática/ (‘>From creation to script: 
Theory and practice’), 5th ed., Doc Comparato (2018) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000001/art00011>

GLAUCIA DAVINO


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