Archive for calls, August 2023

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[Commlist] Call for participants - Heavy Metal on the Airwaves symposium (Liverpool John Moores University)

Fri Aug 25 20:56:14 GMT 2023





Call for papers: Heavy metal on the airwaves symposium

Friday February 2nd 2024, Liverpool John Moores University, School of Humanities and Social Science

Historically, heavy rock and metal music seems to have had a somewhat uneasy relationship with rock radio. As Deena Weinstein (2000) notes, during the late 1970s when bands such as AC/DC and Kiss were enjoying substantial success in terms of concert ticket sales and album sales, heavier bands were largely exiled from major radio formats such as AOR and classic rock. Even during a period of vast commercial success in the 1980s, exposure for metal artists on radio appears to have been mixed, with big selling artists such as Metallica largely achieving success in spite of a lack of airplay (Weinstein, 2000; Walser, 1993). Furthermore, although radio remains a powerful intermediary for popular music (see Barnard, 1989; Rothenbuhler and McCourt, 1992; Percival, 2011), it is interesting that its role is often neglected in favour of things like trading CDs with friends or finding songs online when fans discuss how they first discovered metal music (see Rowe, 2017; Hassan, 2021).

Nevertheless, the contribution of radio shows, stations, and DJs in promoting metal music should not be underplayed. Research has indicated that they can become crucial to the formation of scenes and communities (see for instance, Baulch, 2007; Hecker, 2012; Varas-Díaz, Mendoza, Rivera-Segarra, & González, 2016). In addition, popular histories of bands such as Iron Maiden have emphasized the role that influential DJs like Tommy Vance (who fronted long-running The Friday Rock Show for the BBC in the UK), played in providing widespread exposure to influential movements like the New Wave of British Heavy Metal (Daniels, 2014). In a contemporary digital climate with a multitude of FM, digital, online, independent and community stations, alongside a growing number of podcasts, it is an opportune moment to re-assess heavy metal’s relationship with radio. This symposium seeks to bring together participants who are interested in examining the relationship between hard rock/metal and radio (in its various forms). It invites presenters and attendees from fields such as metal music studies, popular music studies, media and radio studies, communications and cultural studies, as well as practitioners from music, radio and broadcasting related industries.

Themes papers may explore include:
Historical reappraisals of hard rock/metal’s relationship with radio
Professional practice and DJ performances
The role of specialist online platforms such as Gimme Radio
Metal’s place in ‘classic rock’ formats (e.g. Planet Rock or Absolute Radio Classic Rock in the UK) What roles do underground or community radio play in supporting metal scenes?
The political economy of rock radio formats
Radio audiences

Please submit abstracts of no more than 250 words via email to (R.Griffin /at/ 2018.ljmu.ac.uk) by November 17th 2023 at 5pm
Please include a paper title and short (100 word) biography

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