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[Commlist] cfp: Mediations of music and power in online music cultures
Sat Feb 18 10:18:35 GMT 2023
Reminder: Call closing on 28 February 2023
Call for Papers | Conference
/Mediations of music and power in online music cultures/
21–22 September 2023, Division of Gender Studies, School of Culture and
Education, Södertörn University, Sweden
Music cultures in the twenty-first century are strongly shaped by online
media. Music streaming, social media, video sharing sites as well as
internet-based music production software, radio stations, and music
magazines have variously affected the formatting, curation, and
consumption of music. Largely centralized around a small number of
privatized companies, where human and automated processes intersect,
online music cultures are sites of mediations of power.
In this context, online music media have entailed economic,
technological, and cultural changes in contemporary music cultures. For
example, music streaming illustrates monetary shifts in the music
industry, where power is newly negotiated between music recommendation
companies and the record, advertisement, and investment markets.
Moreover, online music media combine curatorial and algorithmic
processes that mediate cultural production and consumption and
re-construct listeners as ‘datafied’ users. While the ‘platformization’
of online music cultures impedes the visibility of non-commercial media
and practices, global music and media corporations present their own
initiatives toward equality in the music industry and activist practices
in networked communities on and off commercial sites negotiate the
affordances and limitations of these media.
This conference asks: What characterizes mediations of music and power
in online music cultures? What are emergent mediations of subjectivity,
identity, and difference in online music cultures, and how do they map
onto or newly shape discourses of taste, value, and authenticity? What
possibilities may online music media offer for centering artistic and
fan practices, alliances, and communities that have previously been
subjugated in music cultures?
This conference invites presentations from research fields including
musicology, popular music, media, gender, postcolonial and cultural
studies, which examine emergent mediations of music and negotiations of
power in online music cultures. We particularly seek to highlight media
technologies, stylistic developments, user practices, and intersectional
perspectives that have not yet been emphasized as well as to deepen the
understanding of central themes, concepts, and practices in this
cultural field and its scholarly inquiry.
Keynote speaker: Eric Drott – Butler School of Music, The University of
Texas at Austin
Themes
We invite submissions on topics that may include, but are not limited to:
/Mediations/: Intersecting algorithmic and human logics in mediations of
music and power
/(Re-)mediations of music/: Formations and discourses of style, genre,
taste, and value in online music cultures
/Algorithmic culture/: Speculative logics, ‘postdemographic’
technologies, and the datafication of listening
/Networked communities/: Listeners, communities, and articulations of
resistance in online music cultures
/New media/: Emergent online music and social media and their music cultures
/Sites of power/: Platformization and centers and peripheries in global
cultural economies
Abstracts
Please submit abstracts (250 words maximum) via email by 28 February
2023 to mediationsconference[at]gmail[dot]com.
Please include the title of your paper and a brief biography (100 words
maximum).
Organizers
Veronika Muchitsch, Södertörn University
Ann Werner, Södertörn University & Uppsala University
Contact
For further information, please send an email to
mediationsconference[at]gmail[dot]com.
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