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[ecrea] Call for Papers for the 14th International Gothic Association Conference, Gothic Hybridities: Interdisciplinary, Multimodal and Transhistorical Approaches
Mon Jan 22 15:55:55 GMT 2018
THE MANCHESTER CENTRE FOR GOTHIC STUDIES INVITES THE SUBMISSION OF
ABSTRACTS THAT CREATIVELY INTERPRET AND RESPOND TO THE THEME OF GOTHIC
HYBRIDITIES: INTERDISCIPLINARY, MULTIMODAL AND TRANSHISTORICAL
APPROACHES. PAPERS MIGHT EXPLORE THE WAYS IN WHICH THE GOTHIC MODE HAS
ENTERED INTO CONCEPTUAL AND THEMATIC DIALOGUE WITH OTHER FORMS OF
REPRESENTATION IN TIME, OR ADDRESS THE ROLE THAT THE GOTHIC HAS PLAYED
IN FOSTERING EXCHANGE ACROSS DIFFERENT MEDIA AND DISCIPLINARY BOUNDARIES.
Topics may include (but are by no means limited to) the following:
- Generic hybridities: the Gothic in horror, science fiction, noir,
romance and other contiguous genres; the difficulties of defining the
Gothic; the (im)possibility of a ‘pure’ or ‘original’ Gothic
- Gothic audiences: YA Gothic/teen Gothic, children’s Gothic, adult Gothic
- Gothic / Classical hybrids
- Gothic polyvalence and heteroglossia: the many voices of the Gothic text
- Gothic value: the Gothic as genre, as mode, as type of art, as style,
as critical tool
- Gothic interdisciplinarity: Gothic perspectives from history, the
social sciences, medical humanities, culture, politics and philosophy,
fashion, media studies, reception and fan studies
- Hybridisation or ‘degothicisation’: the critical and conceptual
implications of the hybridisation of the Gothic
- Crossing cultural, social or global boundaries: the type of work that
Gothic hybridity carries out at the borderlands of cultures, classes and
nations
- Gothic diachronicity: evolution and historical changes to the Gothic
as a word and artistic category; the role of academia in shifting the
reception and value of the Gothic
- Gothic infringement and transformations: the use and adoption of the
Gothic in other genres/modes: what does it mean to ‘gothicise’ a mode,
text or genre?
- Transmedia Gothic: the Gothic across media, the role that different
media have played in altering public and academic understandings of the
Gothic
- Frankenstein Gothic: changes in the reception of this quintessential
Gothic text and its afterlives in different media
Confirmed Keynote Speakers: Prof Agnieszka Soltysik-Monnet (Lausanne),
Prof Angela Wright (Sheffield), Dr Bernice Murphy (Trinity College,
Dublin). The conference takes place from July 31st to August 3rd at
Manchester Metropolitan University.
Please submit a 250 word abstract by 31 January 2018 to
(IGAManchester2018 /at/ mmu.ac.uk), including your name, a short biography,
affiliation (if any), and contact details. We are also happy to consider
pre-formed proposed panels. The conference website may be found here:
https://igamanchester2018.wordpress.com.
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