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[ecrea] Genre Worlds Symposium: Call for Papers 2017
Mon Mar 06 08:07:45 GMT 2017
Please see below for the CFP for the Genre Worlds: Popular Fiction in
the 21st Century Symposium, held in Brisbane (AU) this November.
*Genre Worlds: Popular Fiction in the 21st Century*
*CALL FOR PAPERS *
*Academic Conference in association with **GenreCon*
<https://www.awmonline.com.au/genrecon/>
*State Library of Queensland, Brisbane 10 November 2017*
*Abstract Deadline: 21 April 2017*
*Convenors: Dr Kim Wilkins, Dr Beth Driscoll, and Dr Lisa Fletcher*
“/All artistic work... involves the joint activity of a number, often a
large number, of people…. The work always shows signs of that
cooperation/” - Howard S. Becker, /Art Worlds/.
Popular fiction is one of the most dynamic cultural and commercial
divisions of twenty-first century publishing. Internally, it is
organised along the lines of genres, creating what we call ‘genre
worlds.’ This conference will consider the ways that contemporary genre
worlds function as sectors of the publishing industry, as social and
cultural formations, and as bodies of texts. Who is publishing popular
fiction? Who is reading it? How do genre communities form, and how do
texts circulate within them? How are terms like popular fiction, genre
fiction, commercial fiction and trade publishing used, and what do they
suggest about the way that popular fiction is conceived of and valued,
by the industry and academy alike?
We invite abstracts for presentations on aspects of Australian and
international popular fiction genres, industries, markets and
communities. Submissions are welcome from scholars across the humanities
and social science disciplines, including those working in cultural
studies, publishing studies, sociology, cultural economics, literary
studies and creative writing.
Possible topics include:
* Close and distant reading of works of contemporary popular fiction
* Career trajectories and models of authorship in popular fiction,
within and across genres
* Social media and popular fiction
* Distribution and routes to readers, including studies of
booksellers, libraries, and the use of advanced reading copies
* Popular fiction readers, reading practices, and fan cultures
* Pleasure and popular fiction
* The material formats of genre texts and paratexts, including studies
of ebooks, print books, and audiobooks
* Systems of value and gatekeeping in popular fiction, including
blogging, reviewing, booktubing, bestseller lists, prizes,
festivals, and events
* Genre writing and reading groups, both online and offline
* The spaces and places of popular fiction, including studies of book
tourism
* The economics of genre fiction: persistent and emergent business
models, including self-publishing, author services, marketing
strategies, and sales patterns
Plans for publications arising from the conference include a special
issue of /Australian Literary Studies/. To be considered for inclusion,
full papers of between 5,000 and 10,000 words will be due by 9 December
2017.
*200-300 word abstracts should be sent to Kim Wilkins at the School of
Communication & Arts, University of Queensland, at
**(k.wilkins /at/ uq.edu.au)**, by 21 April 2017.*
genreworlds.com
<mailto:http://www.genreworlds.com/genre-worlds-conference-2017/>|
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