[ecrea] Cine-Excess VIII Call for papers - Deadline 3rd September 2014

Cine-Excess VIII: Are You Ready for the Country: Cult Cinema and Rural 
Excess
The University of Brighton, UK
14-16 November 2014

Over the last 7 years, the Cine-Excess International Film Conference and 
Festival has brought together leading scholars and critics with global 
cult filmmakers. Cine-Excess comprises of a 3 day conference alongside 
plenary talks, filmmaker interviews and 5-7 UK theatrical premieres of 
up and coming cult releases.

Previous guests of honour to the annual Cine-Excess event have included 
Catherine Breillat (Romance, Sex is Comedy), John Landis (An American 
Werewolf in London, The Blues Brothers, Trading Places), Roger Corman 
(The Masque of the Red Death, The Little Shop of Horrors, The Intruder, 
The Wild Angels, Bloody Mama), Stuart Gordon (Re-Animator, King of the 
Ants, Stuck), Brian Yuzna (Society, Beyond Re-Animator, The Dentist), 
Dario Argento (Deep Red, Suspiria, Inferno) Joe Dante (The Howling, 
Gremlins, The Hole), Franco Nero (Django, Keoma, Die Hard II), Vanessa 
Redgrave (Blow Up, The Devils, Julia), Ruggero Deodato (Last Cannibal 
World, Cannibal Holocaust, House on the Edge of the Park) Enzo G. 
Castellari (Keoma, The Inglorious Bast***s) and Sergio Martino (Torso, 
All the Colours of the Dark).

With the 2012 relocation of Cine-Excess to the School of Art, Design and 
Media at the University of Brighton, new developments connected to the 
event have included the recent 2013 launch of the peer-reviewed 
Cine-Excess E-Journal (www.cine-excess.co.uk), which publishes a 
selection of papers from the event.

Cine-Excess VIII is a collaboration between the School of Art, Design 
and Media and the C21: Centre for research in twenty-first century 
writings at the University of Brighton. To coincide with the 40th 
anniversary of Tobe Hooper and Kim Henkel’s ground breaking backwoods 
classic The Texas Chainsaw Massacre, Cine-Excess VIII considers cult 
representations of the rural space and its inhabitants, analyzing the 
extent to which depictions of the countryside often reveal fascinating 
issues of class, sexuality, race and regional distinction.

From early moonshine movies depicting ribald rural rule breaking, to 
survival splatter epics such as Deliverance (1972), The Texas Chainsaw 
Massacre (1974), Southern Comfort (1981), The Devil’s Rejects (2005) and 
beyond, the American countryside and its inhabitants come to evoke 
longstanding traditions of humour, horror and morbid fascination within 
a range of cult film genres. Beyond this established Stateside 
preoccupation with the South, Europe has also used cult imagery to 
acknowledge its own regional splits and divisions, which have fed into a 
range of representations, myths and case-studies that extended from 
eugenic case-study to exploitation cinema. In addition to these 
territories, other global cultures frequently figure the rural space as 
a site of either erotic emancipation or fearful foreboding in range of 
unsettling and iconic genres that warrant further investigation.

In order to explore these themes further, Cine-Excess VIII will consider 
the wide variety of representations of the cult countryside from a range 
of differing theoretical and methodological perspectives, while also 
considering larger national notions of the rural space within film, 
television, literature, comics and digital media. A number of iconic 
international filmmakers associated with rural cult cinema classics will 
be in attendance at Cine-Excess VIII to discuss their work and interact 
with academic speakers. Proposals are now invited for papers on any 
aspect of rural excess. However, we would particularly welcome 
contributions focusing on:

*‘White Trash’ Auteurs: From Tobe Hooper to Rob Zombie and beyond From
*Deliverance to Dukes of Hazard and Beyond: genres of cult country folk
*White Trash Terror: the American countryside in literature and film From
*Eugenics to Exploitation: historical case-studies of Southern ‘deviance’
*The Return of the Rural: a special panel on The Texas Chainsaw Massacre 
and its sequels
*Yuppies in Peril: class, culture and the politics of hatred
*Moonshine Madness: comic cycles and the country trickster
*From Southern Belles to Savage Sisters: female vendettas in the rural space
*Backwoods But British: the rural space in British film and literature
*Revenge of Nature: aniumal revolts in the cult countryside
The Queer Countryside: sexuality and the rural space
*Small Screen Southerners: TV representations of the countryside
*Europe’s Others: transnational representations of the rural
*Sounds of the South: the role of music and soundtrack in the rural movie
*Cult on Cults: Southern saviours and preachers of hate
*Bucks, Cucks and Harlots: eroticism and rural desire
*‘Hicksploitation’, ‘Blaxsploitation’ and race conflict within cult cinema
*Deep River Savages: Italian cult cinema and the cruel countryside
*Outback Outrages: the rural space in Australian cinema
*White Trash in Tech: rural rule breaking in online and videogame formats

We welcome individual paper submissions, panels and roundtable proposals 
related to a range of international traditions of rural excess.

Please send a 300-word abstract and a short (one page) C.V. by 3rd 
September 2014 to:

Dr Xavier Mendik
Director of the Cine-Excess Film Festival
(X.Mendik /at/ brigton.ac.uk)

Dr Katy Shaw
Director of C21: Centre for research in twenty-first century writings
(K.Shaw /at/ brighton.ac.uk)

A final listing of accepted presentations will be released on 17th 
September 2014.

A selection of conference papers from the event will be published in the 
Cine-Excess E-Journal in 2015.

For further information and regular updates on the event (including 
information on guests, keynotes and screenings) please visit 
www.cine-excess.co.uk






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