[Commlist] Special Issue Displaced Images, Iconographic Survivals: Cinema and the Public Sphere published

Special Issue *Displaced Images, Iconographic Survivals: Cinema and the 
Public Sphere *published.

We are pleased to announce the publication of the special issue:

*Displaced Images, Iconographic Survivals: Cinema and the Public Sphere*

edited by Ivan Pintor Iranzo, Glòria Salvadó Corretger, Teresa Sorolla 
Romero, Jordi Montañana-Velilla

/L'Atalante. Revista de estudios cinematográficos/ Vol. 41 (January – 
June 2026)

The issue explores the afterlives of images and their iconographic 
survivals in relation to cinema and the public sphere, examining how 
visual forms circulate, mutate and resurface across political, social 
and media contexts in contemporary visual culture.

Open access: 
https://www.revistaatalante.com/index.php/atalante/article/view/1401/1712 
<https://www.revistaatalante.com/index.php/atalante/article/view/1401/1712>

*Contents*

*Introduction* – Ivan Pintor Iranzo, Glòria Salvadó Corretger – /One 
Time Becoming Another: Afterlives of the Seen, Figures of the 
Yet-to-Come/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1398/1713 
<https://www.revistaatalante.com/index.php/atalante/article/view/1398/1713>

*Notebook* – Daniele Comberiati – /Order and Chaos. Silvio Berlusconi's 
Speech on his "discesa in campo" in relation to Investigation of a 
Citizen Above Suspicion/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1372 
<https://www.revistaatalante.com/index.php/atalante/article/view/1372>

– Daniel Arrebola, Ludovico Longhi, Ezequiel Ramón-Pinat – 
/Iconographies of Media Power in Slap the Monster on Page One: Visual 
Afterlives Between Italian Political Cinema and the Contemporary Public 
Sphere/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1292 
<https://www.revistaatalante.com/index.php/atalante/article/view/1292>

– Ana Aitana Fernández Moreno, Brunella Tedesco Barlocco – /In the 
presence of the racialised body: (post-)colonial iconographies in 
Dahomey, Saint Omer and Stop Filming Us, but Listen/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1312 
<https://www.revistaatalante.com/index.php/atalante/article/view/1312>

– Javier Moral, Beatriz del Caz Pérez – /When Migration Is a Matter of 
Science Fiction: El Mar La Mar/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1315/1677 
<https://www.revistaatalante.com/index.php/atalante/article/view/1315/1677>

– Polina Gorbaneva, Ariadna Cordal, Anna Mundet, Santiago Fillol – 
/Becoming-Animal: Non-human Perceptual Forms and Dispositifs in 
Contemporary Ibero-American Cinema/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1320/1685 
<https://www.revistaatalante.com/index.php/atalante/article/view/1320/1685>

– Juan-Pablo Osman, Delfina M. Chacón Corena – /History, Violence and 
Political Activation: Antes del fuego as a Cinematic Site for 
Reconfiguring the Public Sphere and Collective Memory in Colombia/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1311 
<https://www.revistaatalante.com/index.php/atalante/article/view/1311>

– Antonio Luco Busto, Carolina Urrutia Neno – /Colonialism, Extractivism 
and Violence in Contemporary Chilean Cinema: The Selk'nam Genocide in 
White on White and The Settlers/ 
https://www.revistaatalante.com/index.php/atalante/issue/view/40 
<https://www.revistaatalante.com/index.php/atalante/issue/view/40>

– Marta Pérez Pereiro, Cibrán Tenreiro Uzal – /"Cameras! Cameras! 
Cameras!". Women, Archives and Struggle in Contemporary Galician Cinema/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1317/1691 
<https://www.revistaatalante.com/index.php/atalante/article/view/1317/1691>

– Federica Gobbi – /Expressing Emotions in Times of COVID-19: A 
Melodramatic Approach to the Deterioration of Social Relations based on 
Visual Motifs in the News Programs on the Spanish national broadcaster 
(RTVE)/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1309/1694 
<https://www.revistaatalante.com/index.php/atalante/article/view/1309/1694>

– Joan Miquel Gual – /Dancing on the Edge of a Volcano: A Hinge Film 
between Catastrophes/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1304/1697 
<https://www.revistaatalante.com/index.php/atalante/article/view/1304/1697>

*Dialogue* – Carolina Sourdis – /Filming to Profane the Border: Cinema 
as Counter-Power. A Conversation with Sylvain George/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1399/1704 
<https://www.revistaatalante.com/index.php/atalante/article/view/1399/1704>

*(Dis)Agreements* – Anna Mundet, Fèlix Maisel – /Counter-Visualities of 
Extraction: Archival Frictions in the Afterlives of Petro-Colonialism. 
Discussion with Nariman Massoumi, Sanaz Sohrabi Ribes/ 
https://www.revistaatalante.com/index.php/atalante/article/view/1400/1710 
<https://www.revistaatalante.com/index.php/atalante/article/view/1400/1710>

*Vanishing Points* include non-thematic contributions by Federico 
Pritsch, Alfonso Hoyos Morales, Juanjo Balaguer, Natalia Martínez Pérez 
and Sonia Dueñas Mohedas.

---------------
The COMMLIST
---------------
This mailing list is a free service offered by Nico Carpentier. Please use it responsibly and wisely. The commlist has no responsibility for any damage caused by its postings. Subscription to the list automatically implies agreement with this rule.
--
To subscribe or unsubscribe, please visit http://commlist.org/
--
Before sending a posting request, please always read the guidelines at http://commlist.org/
--
To contact the mailing list manager:
Email: (nico.carpentier /at/ commlist.org)
URL: http://nicocarpentier.net
---------------