[Commlist] Filmvisio 2025/II (Issue 6) published

*New issue of Filmvisio published*

The latest issue of Filmvisio is now available online. Istanbul 
University Press is pleased to announce the publication of new content 
in Filmvisio, a peer-reviewed, open-access journal that contributes to 
scholarship in film and audiovisual studies.

Browse all articles in this issue >
https://iupress.istanbul.edu.tr/journal/filmvisio/issue/current 
<https://iupress.istanbul.edu.tr/journal/filmvisio/issue/current>

2025/II (Issue 6)
TABLE OF CONTENTS

RESEARCH ARTICLES

Understanding Consumption Cathedrals Through Conspicuous and Hedonic 
Consumption: The Example of the Upload Series
Baris Isik, Burcu Altiparmak
https://dx.doi.org/10.26650/Filmvisio2025-0010 
<https://dx.doi.org/10.26650/Filmvisio2025-0010>
---
Mourning, Melancholia and the Collapse of Language: Motherland Hotel
Cansu Oksuz Karademir
https://dx.doi.org/10.26650/Filmvisio2025-0011 
<https://dx.doi.org/10.26650/Filmvisio2025-0011>
---
Artificial Intelligence and Found Footage in Documentary Cinema: The 
Digital Transformation of Testimony in Welcome to Chechnya [in Turkish]
Okan Seker
https://dx.doi.org/10.26650/Filmvisio2025-0012 
<https://dx.doi.org/10.26650/Filmvisio2025-0012>
---
Manipulation and the Dark Triad Effect in Interpersonal Communication: 
Questioning Subjectivity in September Says [in Turkish]
Gizem Gulsun Tureli
https://dx.doi.org/10.26650/Filmvisio.2025.0013 
<https://dx.doi.org/10.26650/Filmvisio.2025.0013>
---
The Depiction of the Old Widow in Şerif Gören’s Cinema [in Turkish]
Ahmet Canpolat
https://dx.doi.org/10.26650//Filmvisio.2025.0014 
<https://dx.doi.org/10.26650//Filmvisio.2025.0014>
---
Reading the Movie Cici with the Phenomenology of Crystallized Time in 
Postmodern Narrative [in Turkish]
Ayse Gul Zeren Kosal
https://dx.doi.org/10.26650/Filmvisio.2025.0015 
<https://dx.doi.org/10.26650/Filmvisio.2025.0015>
---
Looking at the Concept of the Precariat Through Ken Loach’s Cinema: The 
Cases of I, Daniel Blake and Sorry We Missed You [in Turkish]
Burhan Agbaba, Gonul Cengiz
https://dx.doi.org/10.26650/Filmvisio.2025.0016 
<https://dx.doi.org/10.26650/Filmvisio.2025.0016>

BOOK REVIEWS
Is Cinema Dead? [in Turkish]
Nejat Ulusay
---
Mieke Bal’s Narrative Theory [in Turkish]
Dogan Aydin

Filmvisio is an online, open-access, peer-reviewed film studies journal 
published twice a year (June and December) by the Faculty of 
Communication at Istanbul University. The journal’s primary aim is to 
examine cinema both as an art form and as a mass medium, with a focus on 
its ethical, political, philosophical, aesthetic, social, and 
technological dimensions. Filmvisio publishes original research articles 
and review essays, as well as reviews of books, films, and television 
series, festival and conference reports, and interviews. The journal 
accepts submissions on a rolling basis throughout the year. The journal 
does not charge authors any submission, processing, or publication fees.

Indexing & Abstracting: ERIH PLUS, DOAJ, MLA (Modern Language 
Association), Gale Cengage, EBSCO Central & Eastern European Academic 
Source, Ulrichsweb

If you have any questions regarding the journal, you may contact us via 
email at (filmvisio /at/ istanbul.edu.tr) <mailto:(filmvisio /at/ istanbul.edu.tr)>

Instagram: https://www.instagram.com/filmvisio 
<https://www.instagram.com/filmvisio>
X: https://x.com/filmvisio <https://x.com/filmvisio>

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