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[Commlist] Call for Papers: ‘Spectral Cinema and Contested Landscapes –Brazil’

Fri Sep 13 13:11:48 GMT 2024





Call for Papers: MIRAJ: Moving Image Review & Art Journal

Special Issue: ‘Spectral Cinema and Contested Landscapes – Brazil’

23-25 April 2025

University of São Paulo

View the full call here>>

https://www.intellectbooks.com/miraj-the-moving-image-review-art-journal#call-for-papers <https://www.intellectbooks.com/miraj-the-moving-image-review-art-journal#call-for-papers>

What constitutes the potency of a ghost? What delineates its nature? Ghosts, or more broadly spectres encompassing monstrous, mythical, or religious entities, are often conceived as embodiments of divine, spiritual, or otherworldly forces, resonating with echoes of a traumatic past underscored by its political ramifications. Consequently, spectres, along with spectral cinemas, emerge as enigmatic entities transcending temporal confines, cultural paradigms and worldviews, offering poignant responses to the hegemonic dictates of the present. They articulate dissent against the market-driven acceleration and the wanton devastation of the environment, advocating instead for the recognition and sustenance of alternative existential, ancestral, affective, local and global narratives. The ‘Spectral Cinema and Contested Landscapes’ symposium invites contributions to the debate surrounding spectres manifest within corporeal forms, which are invariably shaped by multifaceted markers of identity such as gender, race and sexuality. In this vein, we are particularly intrigued by the intersecting trajectories evident in the genesis and cinematic representations of films, engaging in dialogue with indigenous, black, feminist and queer cinemas.

‘Spectral Cinema and Contested Landscapes - São Paulo 2025’ is the second iteration of the international symposium held at the University for the Creative Arts, Farnham, UK in 2022, and the subsequent special issue of the Moving Image Arts and Review Journal(MIRAJ) in 2023. It encompasses an academic symposium and a series of public-facing events in São Paulo, including, among others, film screenings and artistic performances.

Confirmed Keynote Speaker: Roz Mortimer (UK)

We warmly welcome artists, practitioners, theorists and early-stage researchers to present their work. In this context we are considering cinema in its broadest sense and works presented and discussed will include any permutations of film, video art, television, installation, audio works, AR, VR and games.

Potential areas of inquiry are:

• Spectres as manifestations of forgotten, repressed or buried trauma

• The politics of dead bodies in unjust, unresolved and political deaths

• Ghosts as active participants with agency and intention

• Spectrality and spectatorship

• Spectral ecologies

• Spectral futurism

• Fabulation, fantasy and the supernatural

• Phenomenological interpretations of place

• Temporal and spatial disjunctions of the uncanny

• Exorcisms and healing by haunting

• Haunted landscapes

• Spectral manifestations – seeking visibility

• Ghosts, spirits and the more-than-human in religious and folk belief

• Animate and inanimate bodies

• Bringing the phantom into being – haunting as radical activism

Please submit a 200-300 word abstract + a 100 word bio + contact information (all on the same document) with links to practice-based work if appropriate, to the email address (cinemaespectral /at/ gmail.com) <mailto:(cinemaespectral /at/ gmail.com)> by 8 November 2024.

Selected papers will be announced by 10December 2024.

Organising committee: Roz Mortimer, Cecília Mello, Renato Trevizano.

Scientific committee: Roz Mortimer, Cecília Mello, Renato Trevizano, Erly Vieira Jr, Guilherme Lima de Assis, Esther Hamburger, Cristian Borges and Gilberto Sobrinho.

This event is organized by the Graduate Program in Audiovisual Means and Processes, with the support of the Department of Film, Radio and Television and of LAICA - Laboratório de Investigação e Crítica Audiovisual, School of Communication and Arts, University of São Paulo.


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