[Commlist] CFP: Dracula Returns: a conference and celebration

*Dracula Returns: a conference and celebration*
**Derby Museums
15–18 May 2025

In 1924, at the world premiere in Derby, Dracula stepped onto the stage. 
He was charming and suave, a different vampire to the monster of Bram 
Stoker’s novel. When the curtain rose, Hamilton Deane's adaptation 
debuted Dracula in evening dress and cloak. The monstrous /nosferatu/ of 
the novel was recast as an urbane and sophisticated figure, still 
threatening but more of an insider than an invader. The Derby Dracula 
became wildly successful; the show toured the country and, from the West 
End, transferred to Broadway, where Bela Lugosi was cast as the Count. 
This production was then adapted by Hollywood for the iconic 1931 film. 
Since then Dracula has manifested in diverse forms: books, cartoons, 
toys, video games and many hundreds of films, from /Blacula/ (1972) to 
children's favourite /Hotel Transylvania/ (2012). Dracula is one of the 
most adapted characters in the world, destined to reappear in diverse 
cultures and forms, transcending gender and ethnic boundaries through 
his/her/its appeal. The home of this cultural journey is Derby.
*/Dracula Returns/* is a conference and celebration marking the 
101st anniversary of Dracula’s licensed stage appearance in Derby. It 
begins with a site-specific performance in the same building that housed 
the original performance. The following conference is the culmination of 
an AHRC Curiosity research project charging Derby with the vampiric 
energy of the Count.
What, though, is the nature of this energy, if indeed we can call it 
that? Accordingly, we ask what is mobilised by the Draculas that exist 
beyond Bram Stoker’s text and consider the ways in which he/she/it has 
been made to mean. Does Dracula suck (as per the 1978 pornographic 
film), or is there also a succour, of sorts? This vampire may be an 
abuser, destroyer and sadist, yet they are also a source of comedy and a 
figure of love. How has the character come to represent the other, and 
in so doing stand-in as a figure of sympathy for the outsider and the 
marginalised? How is all this packaged, sold, marketised and monetised 
(with reference, of course, to Marx’s vampires)? Above all, Dracula is a 
creature of value, both a magnet for tourism and a mine for adaptation, 
and it is through manifesting this value that the conference attempts to 
reckon with it.[1] <#x__ftn1>
We intend to bring together scholars, practitioners and members of the 
public for four days of events and discussion about Dracula in its many 
forms: in relation to theatre, literature, cinema, television, 
photography, digital and online media. The multidisciplinary nature of 
the conference is aimed at a broad spectrum of scholars and speakers 
with a focus on diverse aspects of Dracula as pertaining to their own 
discipline or interests.  We seek papers that address the span of 
representations, adaptations, mediums and interactions with the 
character and related locations across its history, present and complex 
future. We are interested in heritage, tourism and ostensive action. The 
conference is interdisciplinary, at the intersection of art, creative 
writing, folkloristics, literary and theatre studies, heritage studies, 
human geography, tourism, media studies and Dracula studies.
The conference period will include a number of celebratory cultural 
activities that we warmly encourage all delegates to attend. These 
include a Dracula-inspired art build linked with Derby’s Museum of 
Making; The Derby Dracula Monster Mash, a themed garage-rock music 
festival celebrating underground DIY music with a genre that has 
decades-long associations with horror, b-movie monsters and punk rock 
spirit; a Vampire slam open-mic night; a vampires in-reggae dancehall 
event; and a world-breaking record attempt for the amount of people 
dressed as Dracula: don your cape!
Proposals should be 250 words max for 15-minute papers, we also welcome 
suggestions for special events (including interventions, screenings, 
demonstrations or performances), themed or grouped panels, or anything 
that you think might manifest the conference’s themes.
Possible topics to be explored, but not limited to, include:

  *
    Dracula/the vampire in theatre
  *
    Dracula and adaptation
  *
    Dracula/the vampire in film, television and other media
  *
    Dracula and the horror genre
  *
    Dracula and diversity
  *
    Dracula, vampires and queerness
  *
    Vampire literature
  *
    Vampire representations for children
  *
    The happy gothic
  *
    International interpretations and representations of Dracula
  *
    Dracula outside of horror
  *
    Vampires in the news
  *
    Vampire legends
  *
    Dracula and religion, Dracula and spirituality
  *
    Histories of Dracula
  *
    Dracula and Whitby
  *
    Dracula and material culture
  *
    Dark tourism and legend tripping
  *
    Vampires and the body
  *
    Fandom and fascination
  *
    Locations and landscapes
  *
    Beliefs, cults and moral panics
  *
    The vampire as threat, tormentor, abuser
  *
    Comedic and parodic representations
  *
    Commercialism, tourism and merchandising
  *
    Cultural influences and impacts

*Proposals are due by Halloween*, 31 October 2024. Proposals and 
abstracts of 250 words (or further enquiries), can be submitted via 
email to (dracula /at/ derby.ac.uk).
We will provide speakers and delegates with information about location, 
refreshments and accommodation nearer the time.

------------------------------------------------------------------------
[1] <#x__ftnref1> All attendees will be invited attempt to break the 
world record of the amount of people dressed as Dracula.



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