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[Commlist] CFC: Crafting Impact - Exercises Beyond the Screen Production Classroom
Tue May 28 21:59:21 GMT 2024
We invite you to consider contributing to the book (and accompanying
podcast series) */Crafting Impact: Exercises Beyond the Screen
Production Classroom/*, which my colleague Ally Bisshop and I have been
commissioned to put together. Please find a call for contributions below
and do not hesitate to reach out if you have any questions...
*_
_*
*_CALL FOR CONTRIBUTIONS_*
*/BOOK TITLE.../* Crafting Impact: Exercises Beyond the Screen
Production Classroom
*/EDITORS.../* A/Prof Nico Meissner & Dr Ally Bisshop; Griffith
University, Australia
*/PUBLISHER.../* Routledge
*/WHY.../* Screens have become the medium of the 21st century, yet
learning discourses and teaching literature remain widely focused on
discipline specific knowledge and craft skills that primarily support
screen industry needs. This book attempts to shift the conversation by
sharing *simple and actionable learning exercises* that allow students
to apply screen production knowledge and skills *towards social and
environmental justice within their local communities*. In searching for
examples of impactful learning and teaching, we hope to demonstrate how
film schools can contribute to a meaningful transformation of the
communities in which they are embedded and the advancement of global
development goals.
*/ON A MISSION.../* Our mission is to expand the screen production
classroom into the world. To get there, this project aims to:
1.
define and create a suite of resources for impactful learning and
teaching at film schools, by exploring how teachers understand and
design for local or global impact. To this end, we invite practical
exercises that can be implemented in screen production classrooms
around the world.
2.
build a dynamic and adaptive community of practice that provides a
platform for sharing, reflection and collaboration. In the spirit of
addressing and building this community, the book will be accompanied
by a podcast series and website as places for ongoing reflections
and resource sharing between contributors, collaborators and
colleagues.
*/SCREEN.../* What do we mean by ‘screen practice/production’? Works of
moving images in the widest sense; fiction or non-fiction, animated or
computer-generated or live action, linear or interactive. We
specifically encourage contributions that explore media convergence or
apply screen practice in novel or unconventional ways.
*/HOW.../* The book is aimed at screen production students and their
teachers. Each chapter will describe one learning exercise and include:
*
a short summary of your underlying teaching philosophy;
*
a case study of up to 1,000 words offering a narrative description
of the exercise;
*
an activity template with instructions for learners and teachers.
This material should offer simple and actionable instructions for
learning, which readers can adapt and make their own: play with, modify,
share, implement.
*/TIMELINE.../*
*
Abstracts due: *12 July 2024*
*
Notification of acceptance: 2 August 2024
*
Full chapters due: 28 February 2025
*
Targeted submission to publisher: 2 May 2025
*/ACTION.../* Please email an *abstract of up to 500 words* as well as a
*100-word biography* to Ally at (a.bisshop /at/ griffith.edu.au)
<mailto:(a.bisshop /at/ griffith.edu.au)>and Nico at (n.meissner /at/ griffith.edu.au)
<mailto:(n.meissner /at/ griffith.edu.au)>. Your abstract should include a
brief description of your learning exercise, its objectives, the context
in which it was applied, and, if applicable, any learnings.
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