[Commlist] Extrapolation 65.1 featuring papers from the Current Research in Speculative Fiction conference (CRSF)

The latest issue of /EXTRAPOLATION /is now available online.
Liverpool University Press is pleased to inform you of the latest 
content in /EXTRAPOLATION 
<https://www.liverpooluniversitypress.co.uk/journal/extr>, /the first 
journal to publish academic work on science fiction and fantasy. It 
continues to be a leading, peer-reviewed, international journal in that 
specialized genre in the literature of popular culture.
65.1 of 
<https://liverpooluniversitypress.co.uk/toc/extr/65/1>/Extrapolation 
<https://liverpooluniversitypress.co.uk/toc/extr/65/1>/ features a 
special section of four papers from the Current Research in Speculative 
Fiction conference (CRSF). The issue begins with David Tierney’s “‘The 
Poetry of a Dingo’s Bite’: Communication within Nonhuman Animal Play in 
Ursula K. Le Guin’s ‘“The Author of the Acacia Seeds” and Other Extracts 
from the /Journal of the Association of Thereolinguistics’ /and Laura 
Jean McKay’s The Animals in that Country,” an examination of a 
lesser-known work by one of the genre’s most important writers and an 
Arthur C. Clarke Award-winning novel from Australia which is rapidly 
headed for the canon. Eamon Reid offers a political reading of one of 
the most ambitious sf television series before the streaming era, in 
“Contractual Gravities: Investigating Babylon 5’s Nonmodern Liberalism.” 
Danny Steur brings home to us how sf ranges across media in “Inhuman 
Kinship at Insensible Depths: Relating to the Non-Relational in 
Drexciyan Afrofuturism,” looking at the music of Drexciya, Rivers 
Solomon’s The Deep, and the paintings of Ellen Gallagher. Finally, 
Yuheng Ko, in “Beyond the Myth of Chinese Ideograms: Linguistic 
Utopianism and the Technicality of Chinese as the Linguistic Other,” 
examines a debate around readings of Ted Chiang’s short story “Story of 
Your Life” (1998). We round out the issue with Jeffrey Andrew 
Weinstock’s “Love Letters From the Future: The Salvage Sublime,” 
exploring Evan Calder Williams’s concept of “salvagepunk.”
Browse all articles > <https://liverpooluniversitypress.co.uk/toc/extr/65/1>
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<https://liverpooluniversitypress.co.uk/toc/extr/62/3>_/_Extrapolation 
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_
*_Table of contents_*
_
_
*CONTRIBUTORS*
*/Contributors 
<https://liverpooluniversitypress.co.uk/doi/10.3828/extr.2024.1>/*
**
*EDITORIAL*
*/The Launching Pad 
<https://liverpooluniversitypress.co.uk/doi/10.3828/extr.2024.2>/*
Andrew M. Butler
**
*SPECIAL ISSUE: CONTEMPORARY RESEARCH IN SPECULATIVE FICTION CONFERENCE*
*/“The Poetry of a Dingo’s Bite” 
<https://liverpooluniversitypress.co.uk/doi/10.3828/extr.2024.3>/*
David Tierney
*//*
*/Contractual Gravities 
<https://liverpooluniversitypress.co.uk/doi/10.3828/extr.2024.4>/*
Eamon Reid
**
*/Inhuman Kinship at Insensible Depths 
<https://liverpooluniversitypress.co.uk/doi/10.3828/extr.2024.5>/*
Danny Steur
**
*/Beyond the Myth of Chinese Ideograms 
<https://liverpooluniversitypress.co.uk/doi/10.3828/extr.2024.6>/*
Yuheng Ko
**
*RESEARCH ARTICLE*
*/Love Letters From the Future 
<https://liverpooluniversitypress.co.uk/doi/10.3828/extr.2024.7>/*
Jeffrey Andrew Weinstock
**
*BOOK REVIEWS*
*/Reviews of Books 
<https://liverpooluniversitypress.co.uk/doi/10.3828/extr.2024.8>/*
Anna McFarlane, Paul March-Russell, Jerome Winter, Jessie Wirkus Haynes, 
Jacob DeBrock, Pan Xie and D. Harlan Wilson
_

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