[Commlist] Film International 21.1-2 published

Intellect is pleased to announce that Film International 21.1-2 is out now!


For more information about the journal and issue click here>>

https://www.intellectbooks.com/film-international-journal-of-world-cinema 
<https://www.intellectbooks.com/film-international-journal-of-world-cinema>


Aims & Scope


Rejecting the dichotomies of ‘high' and ‘low' cinema, Film 
Internationalembraces debate on how film interacts with the broader 
culture, history and economy of society. This magazine aims to encourage 
critical study and public discussion of the role of moving images in our 
society, bridging the gap between academics and cineastes.


This title is indexed with Scopus and the Web of Science’s Emerging 
Sources Citation Index (ESCI).


Issue 21.1


Editorial 
<https://intellectdiscover.com/content/journals/10.1386/fint_00216_2>

By Matthew Sorrento


Representing the Unrepresentable: Alienhood in first contact 
science-fiction films 
<https://intellectdiscover.com/content/journals/10.1386/fint_00201_1>

By Yosr Dridi


Magical Realism Cinema: The remodelling of objective reality 
<https://intellectdiscover.com/content/journals/10.1386/fint_00202_1>

By Liangyu Wu


Third Cinemas and First Nations in Christine Welsh’s Finding Dawn (2006) 
<https://intellectdiscover.com/content/journals/10.1386/fint_00203_1>

By Kate Moffat


Enactment of Violence: Padmarajan’s masculine subjectivities 
<https://intellectdiscover.com/content/journals/10.1386/fint_00204_1>

By J. Niranjana and Yadamala Sreenivasulu


Watching Voice between the Lines 
<https://intellectdiscover.com/content/journals/10.1386/fint_00205_1>

By Murray Pomerance


Timeless Darkness: Why John Carpenter’s The Thing is a perfect movie 
<https://intellectdiscover.com/content/journals/10.1386/fint_00189_1>

By Angela Grisolano


The Abortive Superman: Übermensch as monster in the work of Panos 
Cosmatos 
<https://intellectdiscover.com/content/journals/10.1386/fint_00206_1>

By Michael Eden


Get ‘em Hopping Again: A production history of Revenge of the 
Cheerleaders (1976) 
<https://intellectdiscover.com/content/journals/10.1386/fint_00207_1>

By Steven Kahn


Roman Nights on the Via Veneto: The ethos of the paparazzo on-screen and 
in print 
<https://intellectdiscover.com/content/journals/10.1386/fint_00208_1>

By Bertram Ulrich


Ethical Reconstruction: The portrayal of women in Chinese crime films 
<https://intellectdiscover.com/content/journals/10.1386/fint_00209_1>

By Zhaoming Li


‘We’re in This Together’: On the enduring appeal of the Thin Man series 
<https://intellectdiscover.com/content/journals/10.1386/fint_00210_1>

By Jeremy Carr


The Phenomenon of Humphrey Bogart: The quintessential private eye and 
much more 
<https://intellectdiscover.com/content/journals/10.1386/fint_00190_1>

By Henryk Hoffmann


Interview: Mickey Reece 
<https://intellectdiscover.com/content/journals/10.1386/fint_00211_7>

By Jonathan Monovich


Interview: Welby Ings 
<https://intellectdiscover.com/content/journals/10.1386/fint_00212_7>

By Tom Ue


Book Review: The ‘White’ Mask and the ‘Gypsy’ Mask in Film 
<https://intellectdiscover.com/content/journals/10.1386/fint_00213_5>

By Dávid Szőke


Book Review: The Architecture of Suspense: The Built World in the Films 
of Alfred Hitchcock and The Wrong House: The Architecture of Alfred 
Hitchcock 
<https://intellectdiscover.com/content/journals/10.1386/fint_00214_5>

By Marshall Deutelbaum


Review: The Amusement Park 
<https://intellectdiscover.com/content/journals/10.1386/fint_00215_5>

By Matthew Sorrento


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