[Commlist] Journal of Illustration 10-1 ‘Transitus- illustration as material crossing ground’ published

The Journal of Illustration 10-1 ‘Transitus- illustration as material 
crossing ground’ is out now.

In this first of two issues of the /Journal of Illustration/ exploring 
the speculative concept of ‘Transitus’, we look at illustration as 
material crossing ground, opening up the stakes of retaining a physical, 
tangible element in illustrative acts of ‘crossing over’.  If 
illustration by definition always comprises the relational dynamics of 
the interplay between signifiers, what does the investment in 
materiality offer to the acts of ‘crossing over’? In the face of 
transitory stories and identities, how does illustration act as a 
referential mode which connects to authenticity and reality, despite its 
status as a system of signs?

The selected essays, most of which were presented at the Falmouth 
University ‘Transitus’ online symposium July 14-15, 2022, all engage 
with material pathways of the /trans/-, particularly pathways of 
photography, physical trace, and touch. Contributors are:

https://intellectdiscover.com/content/journals/jill/10/1 
<https://intellectdiscover.com/content/journals/jill/10/1>

Editorial

-Carolyn Shapiro, Introduction to ‘Transitus: Illustration as Material 
Crossing Ground’: The stake in the physical trace

https://doi.org/10.1386/jill_00059_2 <https://doi.org/10.1386/jill_00059_2>

Articles

-Hilde Kramer, The transposing illustrator: Challenges and opportunities 
meeting the authorial illustrator that interacts, documents and bears 
witness of the unrepresented and the non-representable

https://doi.org/10.1386/jill_00060_1 <https://doi.org/10.1386/jill_00060_1>

-Vincent Larkin, Joseph Beuys and live scribing: A speculative timeline

https://doi.org/10.1386/jill_00056_1 <https://doi.org/10.1386/jill_00056_1>

-Pat WingShan Wong, Barter Archive: Reimagining archival alternatives 
through participatory illustration – A case study of Billingsgate Fish 
Market (2019–22)

https://doi.org/10.1386/jill_00061_1 <https://doi.org/10.1386/jill_00061_1>

-Serpil Karaoğlu, Defne Akalın and Ilgım Veryer į Alaca, 
Intergenerational relationships through transitive materialities in the 
picturebook, My Grandma’s Photos

https://doi.org/10.1386/jill_00062_1 <https://doi.org/10.1386/jill_00062_1>

-Carolyn Shapiro, Andrew Humphreys’ and Olivier Kugler’s The Great Fish 
& Chips: Indexical pathways in illustration research

https://doi.org/10.1386/jill_00063_1 <https://doi.org/10.1386/jill_00063_1>

-Hermione May, Where the human and non-human meet in environmentalist 
animations: Hayao Miyazaki’s transformational enchantment

https://doi.org/10.1386/jill_00064_1 <https://doi.org/10.1386/jill_00064_1>

-Emilie Sitzia, Ghost stories: Redon’s ‘transmission’ of Gothic literature,

https://doi.org/10.1386/jill_00065_1 <https://doi.org/10.1386/jill_00065_1>

-Ksenia Kopalova and Masha Krasnova-Shabaeva, Your flight has been 
cancelled: Stock vector landscape as a digital non-place

https://doi.org/10.1386/jill_00067_1 <https://doi.org/10.1386/jill_00067_1>

-Sarah Laura Nesti Willard, Emirati woman illustrator on Instagram: 
‘Let’s go and get the bread!’

https://doi.org/10.1386/jill_00066_1 <https://doi.org/10.1386/jill_00066_1>

Exhibition Review

-Jodie Coates, Raymond Briggs: A Retrospective, Raymond Briggs, curated 
by Katie Currach and Nicolette Jones

https://doi.org/10.1386/jill_00068_5 <https://doi.org/10.1386/jill_00068_5>

Editors dr. Carolyn Shapiro and dr. Nanette Hoogslag

ARU THE University of the Year 2023 | UK Social Mobility Awards 
University of the Year 2023 | TEF Gold 2023 					

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