[Commlist] Call for Papers: Philosophy of Photography 16.1 published

Call for Papers: Philosophy of Photography 16.1

View the full call here>>

https://www.intellectbooks.com/philosophy-of-photography#call-for-papers 
<https://www.intellectbooks.com/philosophy-of-photography#call-for-papers>

Philosophy of Photographyis a peer-reviewed journal devoted to the 
scholarly understanding of photography, published twice yearly since 2010.

In the last three years Philosophy of Photographyhas published a series 
of extensive special issues that have explored modes of cameraless 
photography (POP13.2), violence and its relation to the contemporary 
image (POP13.2 & 14.1), glitch aesthetics (POP14.2), and the expanded 
visualities arising from new modes of machine learning and widely 
accessible AI (POP15.1-2).

The next instalment of the journal (POP16.1) will be an open submission 
issue to appear in autumn 2024. The editors warmly invite submissions 
from researchers and practitioners who seek to explore any aspect of 
photography as well as related modes of imaging and visual or digital 
culture from a critical and theoretical standpoint.

The journal publishes articles, interviews, critical commentaries, print 
symposia on key topics, book reviews, conference reports and analyses of 
specific technical developments as well as new English translations of 
significant work on photography in other languages. The editors are 
happy to consider proposals in the form of photographic / artistic 
works. We encourage all potential contributors to browse our back issues 
<https://intellectdiscover.com/content/journals/pop>to get a fuller 
sense of the wide range of work we have published.

Although we welcome submissions on any theme relating to photography and 
its  theoretical discourses, Philosophy of Photographyis currently 
particularly interested in receiving submissions that address the 
following topics:

  *

    The effect of emerging technologies on the photographic image

  *

    emergent technologies both as a factor in, and a tool for
    envisioning environmental crisis

  *

    non-normative and non-binary imaginaries in the contemporary visual
    milieu

  *

    race and the contemporary image

  *

    new theorisations of race and technology

  *

    forms of protest enabled by contemporary imaging technologies

  *

    the social and political agency of the photographer/artist

  *

    the geo-political impact of drone photography/satellite images and
    the contemporary landscape image

  *

    the future of documentary photography

  *

    cameraless photography

  *

    philosophical analyses of recent debates about realism

  *

    political philosophies of the contemporary image

  *

    the politics and ethics of artificial intelligence (AI) and
    machine-made images

  *

    immersive visual environments (360-degree photography, VR/AR/MR)

  *

    theoretical and practical challenges to (or defences of) the
    continuing relevance of the term 'photography'

The deadline for submissions for POP16.1 is 15 June 2024.

Submissions should be made via our website: Intellect Books | 
submit/philosophy-of-photography 
<https://www.intellectbooks.com/submit/philosophy-of-photography>

Prospective book, exhibition and conference reviewers should contact the 
editors by email.  We especially invite expressions of interest in 
reviewing the following titles:

  *

    Joy Gregory (ed.), Shining Lights: Black Women Photographers in
    1980s–90s Britain, Mack Books & Autograph, 2024.

  *

    Achille Mbembe, Brutalism, Duke University Press, 2024.

  *

    Adnan Madani & Jean-Paul Martinon, Visual Cultures as World-Forming,
    Sternberg Press & Goldsmiths, 2024.

  *

    Laura U. Marks, The Fold, Duke University Press, 2024.

  *

    Amanda K. Greene, Glitchy Vision: A Feminist History of the Social
    Photo,MIT Press, 2024.

  *

    Kimberly Juanita Brown, Mortevivum: Photography and the Politics of
    the Visual, MIT Press, 2024.

  *

    Joanna Zylinska, The Perception Machine: Our Photographic Future
    between the Eye and AI, MIT Press, 2023.

  *

    Anna Kornbluh, Immediacy, or the Style of Too Late Capitalism,
    Verso, 2024.

  *

    Dominique Routhier, With and Against: The Situationist International
    in the Age of Automation, Verso, 2023.

  *

    Matteo Pasquinelli, The Eye of the Master: A Social History of
    Artificial Intelligence, Verso, 2023.

  *

    Sean Cubitt, Truth: Aesthetic Politics, Goldsmith Press, 2023.

  *

    Jane Tormey, Photography and Political Aesthetics, Routledge, 2024.

  *

    Emily Le Febvre, Photography and Making Bedouin Histories in the
    Naqab, 1906-2013, Routledge, 2024.

  *

    Teresa Aranguren and Sandra Barrilaro (eds), Against Erasure: A
    Photographic Memory of Palestine Before the Nakba, Haymarket, 2024.

Please make sure to use the journal’s style guide 
<https://www.intellectbooks.com/asset/1748/house-style-guide-6th-ed..pdf>in 
preparing your contribution.

Prospective guest editors with ideas for special issues, special 
sections or print symposia devoted to particular themes are invited to 
approach the editors with their proposal.

Philosophy of Photographyis published by Intellect Books and indexed 
with the Web of Science’s Emerging Sources Citation Index (ESCI). For 
further information see: Philosophy of Photography (Journal) 
<https://www.intellectbooks.com/philosophy-of-photography>

Editors

Andrew Fisher, 
FAMU, Prague, Czechia:
(andyfisher /at/ posteo.net) 
<mailto:(andyfisher /at/ posteo.net)>


Bernd Behr, Camberwell College of Arts:
(b.behr /at/ camberwell.arts.ac.uk) 
<mailto:(b.behr /at/ camberwell.arts.ac.uk)>

Alex Fletcher, Central Saint Martins, University of the Arts 
London:
(a.c.fletcher /at/ csm.arts.ac.uk) <mailto:(a.c.fletcher /at/ csm.arts.ac.uk)>


Noa Levin, 
Università della Svizzera italiana, 
Switzerland:
(noa.levin /at/ usi.ch) <mailto:(noa.levin /at/ usi.ch)>


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