Archive for January 2024

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[Commlist] CFP: Paul Verhoeven@85

Mon Jan 15 16:04:17 GMT 2024




*Paul Verhoeven//@85: Critical Approaches*

Paul Verhoeven//(b. 1938) has left an indelible mark on popular culture. His films marry a European arthouse sensibility with the US blockbuster but in a wickedly satirical way. Yet this does not mean his films are not open to criticism.
His American dystopic trilogy – /RoboCop /(1987), /Total Recall/ (1990) 
and /Starship Troopers /(1997) – provided dark visions of futuristic 
metropoles that continue to resonate to this day, touching on 
capitalism, robotics, biopolitics, posthumanism, urban planning, 
artificial intelligence, transhumanism and climate change, while 
female-led dramas, such as /Basic Instinct /(1992), /Showgirls /(1995), 
/Black Book /(2006), /Elle /(2016) and /Benedetta /(2021), remain 
controversial for their overt eroticism, sexual violence and 
representation of lesbianism.
To critically explore the origins and legacies of Verhoeven’s body of 
work, this edited collection proposes to bring together scholars from 
diverse disciplinary backgrounds to explore Paul Verhoeven’s output, 
debate its legacy and consider its position within visual culture 
including specialists from fields as diverse as literary and 
cinematographic studies; the history of art, design, fashion and 
architecture; musicology; philosophy; political sciences; computer 
science and robotics; urban and ecological studies; and feminist, queer 
and sexuality studies.
We welcome contributions from any perspective such as (but not limited 
to) the following:
Paul Verhoeven as auteur: origins, influences, production, aesthetics, 
publicity, reception, afterlife, sequels and director’s cuts
Paul Verhoeven and biopolitics, posthumanism, urban planning and climate 
change
Paul Verhoeven and capitalism, neoliberalism, post-industrialism and the 
rise of multinational corporations
Paul Verhoeven and gender

Paul Verhoeven and memory

Paul Verhoeven and psychoanalysis

Paul Verhoeven and race, ethnicity and Otherness

Paul Verhoeven and reception: audiences, fandom and ‘cult’

Paul Verhoeven and robotics, artificial intelligence, cybernetic organisms, the transhuman and the post-human
Paul Verhoeven and science fiction

Paul Verhoeven and sexuality

Paul Verhoeven and stardom

Paul Verhoeven and tech noir, retrofuturism, future noir, and cyberpunk.

Please send a short abstract and biographical paragraph (no more than 400 words) in one document by 1 March 2024.
For further information, please contact the editors Nathan Abrams and 
Elizabeth Miller ((PaulVerhoevenConference /at/ gmail.com) 
<mailto:(PaulVerhoevenConference /at/ gmail.com)>).
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