[Commlist] Active ambience, audio immersion and subjective hearing in the new issue of MSMI published

The latest issue of /Music, Sound, and the Moving Image /is now 
available online.

Liverpool University Press is pleased to inform you of the latest 
content in /MUSIC, SOUND, AND THE MOVING IMAGE 
<https://www.liverpooluniversitypress.co.uk/journal/msmi> /(/MSMI/), a 
highly regarded publication that is essential reading for those working 
in and researching the study of the interaction between music and sound 
in moving image media.

Articles include an essay on effective attunement and audio-visual 
prolepsis in /Westworld/’s title sequence, and an analysis of the 
dramaturgical and narrative use of the soundtrack for the film /Sound of 
Metal/ (2019), anchoring it in the concepts of immersion and subjective 
hearing, as well as a piece on sight, sound, and subjectivity in 
Mancini’s /Wait Until Dark/.

Watch the Video Essay: ‘Active Ambiance in No Country for Old Men’ > 
<https://liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.7>

Using several graphical representation approaches, Miguel Mera opens a 
methodological door to an understanding of long-form processes of sound 
mixing as musical phrasing, or active ambiance, in /No Country for Old 
Men,/ as well as providing new mechanisms for analysing the integrated 
soundtrack.

Browse all articles > <https://liverpooluniversitypress.co.uk/toc/msmi/17/2>

Read a free issue > 
<https://www.liverpooluniversitypress.co.uk/toc/msmi/13/1>



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_Table of contents _

**

*AUDIOVISUAL ESSAY (FREE TO READ/AUDIOVIEW) *

*VIDEO ESSAY: ACTIVE AMBIANCE IN 
<https://liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.7>/NO 
COUNTRY FOR OLD MEN 
<https://liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.7>/ *

MIGUEL MERA

**

*ESSAYS *

*/THESE VISUAL DELIGHTS HAVE SONIC ENDS 
<https://liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.8> /*

MAX DOSSER

**

*/SOUND OF METAL 
<https://liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.9> /*

RODRIGO CARREIRO | DÉBORA OPOLSKI | RODRIGO MEIRELLES

*//*

*/THROUGH SUSY’S EYES 
<https://liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.10> /*

DAVID COSPER

**

*/BOOK REVIEW 
<https://liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.11> /*

RICHARD ANATONE (ED.),/ THE MUSIC OF NOBUO UEMATSU IN THE FINAL FANTASY 
SERIES /

REVIEWED BY MIKE D’ERRICO

**

*CONTRIBUTORS TO ISSUE 17:2 
<https://liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.12> *

**

*INDEX TO VOLUME 17 
<https://liverpooluniversitypress.co.uk/doi/10.3828/msmi.2023.13> *


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