[Commlist] Special issue Comunicazioni Sociali 1/2023 published

We are pleased to announce that the latest issue of Comunicazioni 
Sociali is out and open access.
The 1/2023 special issue, titled “Gender and labour in the Italian 
audiovisual industries. Critical research approaches and methods”, is 
co-edited by Rosa Barotsi (University of Modena and Reggio Emilia), 
Gloria Dagnino (University of Udine) and Carla Mereu Keating (University 
of Bristol).

For accessing the special issue and for more information about the 
journal see >>
https://comunicazionisociali.vitaepensiero.com/scheda-fascicolo_contenitore_digital/rosa-barotsi-gloria-dagnino-carla-mereu-keating/comunicazioni-sociali-2023-1-gender-and-labour-in-the-italian-audiovisual-industries-critical-research-approaches-and-methods-001200_2023_0001-395359.html 

Aims & Scope:

Comunicazioni Sociali is an international double-blind peer reviewed 
journal. Established at the Catholic University of the Sacred Heart 
(Milan, Italy) in 1966. The journal hosts monographic and miscellaneous 
issues on a variety of topics in the performing arts, film, radio, 
television, journalism, advertising, and digital media. The journal 
welcomes interdisciplinary perspectives and promotes rigorous debates on 
theory, history, critical analysis of media production and consumption, 
also from ethical and anthropological points of view.
Comunicazioni Sociali and is A-class rated journal by ANVUR (Italian 
National Agency for the Evaluation of the University and Research 
Systems) in three academic disciplines: Cinema, photography and 
television (L-ART/06), Performing arts (L-ART/05), and Sociology of 
culture and communication (SPS/08).
Comunicazioni Sociali is indexed with Scopus.

Special issue 1/2023
Table of contents:

Introduction. On Method Building: A Half-Century of Research on Gender 
and Labour in the Italian Audiovisual Industries. ROSA BAROTSI - GLORIA 
DAGNINO - CARLA MEREU KEATING
Paola Ojetti and Maria Basaglia: Two Women Workers in Fascist Italy’s 
Cultural Sector. MICHAEL GUARNERI - STELLA SCABELLI
Women in Italian Film Production (1949-1976): Mid-Management Roles as 
Seen through Anica Data and Oral History. MARIA IDA BERNABEI
“Una ragazza che si arrangia:” Notes on the Film Producer Marina 
Piperno. CHIARA GRIZZAFFI
Women Working in Radio. Methodological Approaches Comparing Italy and 
the International Context. MARTA PERROTTA
Women’s Labour in TV Series Production: A Comparative Analysis of 
Italian Generalist TV and Pay Platforms (2016-2019). MARTA ROCCHI
Unsuitable Jobs for Women. Women’s Behind-the-Scenes Employment and 
Female On-Screen Representation in Italian TV Crime Drama. VALENTINA RE 
- MARICA SPALLETTA

Heaven Can Wait? Gender (Im)balance in Contemporary Italian Film Crews. 
MARIAGRAZIA FANCHI - MATTEO TARANTINO - ROSA BAROTSI
Relational Feminist Practices On- and Off-Screen: The Case of Amanda 
(2022) and Giulia (2021). BERNADETTE LUCIANO
Best Regards,
Rosa Barotsi <(rosa.barotsi /at/ unimore.it)>  Gloria Dagnino 
<(gloria.dagnino /at/ uniud.it)>
Carla Mereu Keating <(c.mereukeating /at/ bristol.ac.uk)>


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