[Commlist] Global Media and China: Call for Book Reviewers

*Global Media and China: Call for Book Reviewers *

(Follow us at: https://twitter.com/GCHjournal 
<https://twitter.com/GCHjournal>; 
https://www.facebook.com/Global-Media-and-China-110136464998539/ 
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*THE JOURNAL IS OPEN-ACCESS WITHOUT APC*


Global Media and China (GMAC) welcomes the opportunity to publish 
reviews of books If the book is considered a particularly significant 
contribution to communication and media studies in China and beyond 
within the broad communication field. We are therefore inviting scholars 
to propose books that they wish to review.

Book reviews can be solicited by the editor or offered unsolicited by 
prospective reviewers. General reviews are welcome at all times. Calls 
for book reviews related to a specific theme issue will appear on this 
site from time to time.

Reviews should give an account of the book’s aims and remit and, more 
importantly, critically evaluate its contribution to theories, policy 
and practice. Reviews should avoid promoting the book. Commonly, they 
should be between 1000 and 1500 words and documented in APA style, with 
the following elements in the following order: title page, text, and 
reviewer's details. Further guidelines can be found at: 
https://journals.sagepub.com/author-instructions/GCH 
<https://journals.sagepub.com/author-instructions/GCH>.

The proposal should outline the book's title and the general 
significance of the study relevant to the journal's scope. Potential 
book reviewers should send their CVs to the book review editor, Jie Gu, 
PhD, at (jie.gu /at/ cuc.edu.cn) <mailto:(jie.gu /at/ cuc.edu.cn)> in the first 
instance. After approval of the proposal, authors will be invited to 
submit their review via the journal’s Scholar One submission site 
<https://mc.manuscriptcentral.com/rrep?utm_source=CPB&utm_medium=cms&utm_campaign=JOC08726>. All 
submissions will be subject to editorial review for integrity, clarity, 
and general coherency.

*Book List*

1.Power and Perspective: Early Photography in China. (2022). United 
Kingdom: Yale University Press.

2.Kaye, D. B. V., Zeng, J., Wikstrom, P. (2022). TikTok: Creativity and 
Culture in Short Video. United Kingdom: Wiley.

3.Zeng, Y. (2022). Reporting China on the Rise: Habitus and Prisms of 
China Correspondents. United Kingdom: Taylor & Francis Limited.

4.Dai, J., Zeng, F. (2021). Environmental Risk Communication in China: 
Actors, Issues, and Governance. United States: Taylor & Francis.

5.Made in Hong Kong: Studies in Popular Music. (2020). United 
States: Taylor & Francis.

6.McGrath, J. (2023). Chinese Film: Realism and Convention from the 
Silent Era to the Digital Age. United States: University of Minnesota Press.

7.Berry, M. (2022). Jia Zhangke on Jia Zhangke. United Kingdom: Duke 
University Press.

8.Maeda, D. J. (2022). Like Water: A Cultural History of Bruce 
Lee. United States: NYU Press.

9.Hui, C. (2021). The Art of Useless: Fashion, Media, and Consumer 
Culture in Contemporary China. United States: Columbia University Press.

10.Yang, G. (2022). The Wuhan Lockdown. United States: Columbia 
University Press.

11.Ha, G. (2022). The Sound of Salvation: Voice, Gender, and the Sufi 
Mediascape in China. United States: Columbia University Press.

12.Xue, A., Rose, K. (2022). Weibo Feminism: Expression, Activism, and 
Social Media in China. United Kingdom: Bloomsbury Publishing.

13.Sound Communities in the Asia Pacific: Music, Media, and 
Technology. (2022). United Kingdom: Bloomsbury Academic.

14.Lin, L. (2022). Convergent Chinese Television Industries: An 
Ethnography of Chinese Production Cultures. Switzerland: Springer 
International Publishing.

15.Xu, X. (2022). Online News-Prompted Public Spheres in 
China. (n.p.): Springer International Publishing.

16.Miao, H. (2022). The Sentimental in Chinese 
Cinema. Switzerland: Springer International Publishing.

17.Xu, F. (2022). Transformation of Contemporary Film Genre: The 
Aesthetics of Chinese Mainland Mainstream Cinema. Singapore: Springer 
Nature Singapore.

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