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[Commlist] Journal of Screenwriting 13.3 is published (Special Issue: ‘Textual Perspectives: Screenwriting Styles, Modes and Languages’)

Wed Dec 07 18:19:18 GMT 2022




Intellect is pleased to announce that Journal of Screenwriting 13.3 is out now!


Special Issue: ‘Textual Perspectives: Screenwriting Styles, Modes and Languages’


For more information about the journal and issue click here>>

https://www.intellectbooks.com/journal-of-screenwriting <https://www.intellectbooks.com/journal-of-screenwriting>


Aims & Scope


The Journal of Screenwritingexplores the nature of writing for the screen in its broadest sense. It showcases original thinking around screenwriting history, theory, practice and pedagogy, with a truly international perspective and outlook. The journal encourages a broad range of approaches to studying screenplays and the screenwriting profession, drawing on methodological traditions from creative practice, cultural and media studies, history and industry/production studies, to name just a few. The journal is also open to submissions that take the form of ‘industry insights’ and ‘pedagogy papers’, encouraging a wide range of voices and interests to help build and shape the field of screenwriting studies. The journal also prides itself on mentoring new voices within the field and collaboratively written articles that assist in this endeavour are welcomed.


Issue 13.3


Introduction


Textual perspectives: Screenwriting styles, modes and languages <https://intellectdiscover.com/content/journals/10.1386/josc_00100_2>

ROMANA TURINA AND GABRIELLE TREMBLAY


Articles


What we cannot see in Sound of Metal and Her Smell: Interplays of awareness, perspective and language in the screenplay text <https://intellectdiscover.com/content/journals/10.1386/josc_00101_1>

CARINA BÖHM


Henson and Juhl’s Tale of Sand: From lost archive to graphic novel and illustrated screenplay <https://intellectdiscover.com/content/journals/10.1386/josc_00102_1>

CAMILA AUGUSTA PIRES DE FIGUEIREDO


The power of schism: Unconventional narrative structure in No Country for Old Men <https://intellectdiscover.com/content/journals/10.1386/josc_00103_1>

CHRIS NEILAN


Spinning and singing: Exploring memory and gender non-conformity through screenwriting for publication first <https://intellectdiscover.com/content/journals/10.1386/josc_00104_1>

DALLAS JOHN BAKER


Bryan Fuller’s Hannibal: Cannibalizing the canon <https://intellectdiscover.com/content/journals/10.1386/josc_00105_1>

RYAN TAYLOR


Rethinking our protagonists: Absence on screen and meta-narratives of empire <https://intellectdiscover.com/content/journals/10.1386/josc_00106_1>

SHERIDAN HUMPHREYS


Reading the docufiction script: Harnessing the thin line between facts and fiction <https://intellectdiscover.com/content/journals/10.1386/josc_00107_1>

JOHN IWUH AND NICODEMUS ADAI PATRICK


Book Reviews


Scene Writing: The Missing Manual for Screenwriters, Chris Perry and Eric Henry Sanders <https://intellectdiscover.com/content/journals/10.1386/josc_00108_5> (2022) <https://intellectdiscover.com/content/journals/10.1386/josc_00108_5>

WARREN LEWIS


Script Analysis: Deconstructing Screenplay Fundamentals, James Bang (2022) <https://intellectdiscover.com/content/journals/10.1386/josc_00109_5>

JAMES SHELTON


Reginald Rose and the Journey of 12 Angry Men, Phil Rosenzweig (2021) <https://intellectdiscover.com/content/journals/10.1386/josc_00110_5>

ROSANNE WELCH

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