[Commlist] Global Media and China the latest issue—September 2022 published

We are pleased to announce that our journal Global Media and China has 
just published its latest issue (Volume 7, Issue 3, September 2022).

Special Section:  Platformization of entrepreneurial labor via Chinese 
digital networks

Guest Editors: Haiqing Yu, Jian Xu, Ping Sun

And also we sincerely welcome your contribution to our journals. If you 
are interested and have the time, it is a great honour for us to receive 
your submission. Here is the submission portal:

https://mc.manuscriptcentral.com/gmac 
<https://mc.manuscriptcentral.com/gmac>. For more information about 
Global Media and China, please go to gch.sagepub.com 
<http://gch.sagepub.com/>, you can also find detailed submission 
guidelines there.


You can freely read this new issue at: 
https://journals.sagepub.com/toc/GCH/current 
<https://journals.sagepub.com/toc/GCH/current>

(Follow us at: https://twitter.com/GCHjournal 
<https://twitter.com/GCHjournal>; 
https://www.facebook.com/Global-Media-and-China-110136464998539/ 
<https://www.facebook.com/Global-Media-and-China-110136464998539/>)


*Introduction*

*"Platformization of entrepreneurial labor via Chinese digital networks*

/Haiqing Yu, Jian Xu, Ping Sun/

https://doi.org/10.1177/20594364221123841 
<https://doi.org/10.1177%2F20594364211046769>

*Special Issue Articles*

*"Selling Poverty" on Kuaishou: How entrepreneurialism disciplines 
Chinese underclass online participation*

/Jiaxi Hou, Yanhui Zhang/

https://doi.org/10.1177/20594364221095895 
<https://doi.org/10.1177%2F20594364211046769>

*Relational platform entrepreneurs: Live commerce and the 818 Jiazu*

/Isabel Fangyi Lu, Lili Wang/

https://doi.org/10.1177/2059436422109749 
<https://doi.org/10.1177%2F20594364211046769>

*The postfeminist entrepreneurial self and the platformisation of 
labour: A case study of yesheng female lifestyle bloggers on 
Xiaohongshu<https://doi.org/10.1177%2F20594364211046769>*

/Jia Guo<https://doi.org/10.1177%2F20594364211046769>/

_https://doi.org/10.1177/20594364221095896 
<https://doi.org/10.1177%2F20594364211046769>_

*Platformed playworkers: Game video creators**’** affective labour and 
emotional labour on Bilibili*

/Nan Zhang, Yunrui Wu/

_https://doi.org/10.1177/20594364221096498_

*Loving the enemy app: Resistance versus professionalism in 
**‘**post-TikTok**’** India*

/Suruchi Mazumda/

<https://doi.org/10.1177%2F20594364211046769>

https://doi.org/10.1177/20594364221116018 
<https://doi.org/10.1177%2F20594364221090711><https://doi.org/10.1177%2F20594364221090711>


*Original Articles*

*Exploring the effects of traditional media, social media, and foreign 
media on hierarchical levels of political trust in China*

/Ping Xu, Yinjiao Ye, Mingxin Zhang/

https://doi.org/10.1177/20594364221115270 
<https://doi.org/10.1177%2F20594364211046769>

*Book Reviews*

*Remaking Red classics in post-mao China: TV drama as popular media*

/Lara Vanderstaay/

https://doi.org/10.1177/20594364221098441 
<https://doi.org/10.1177%2F20594364221081323>

*Chinese Film Festivals: Sites of Translation*

/Seio Nakajima/

https://doi.org/10.1177/20594364221089985 
<https://doi.org/10.1177%2F20594364221081327><https://doi.org/10.1177%2F20594364221081327>


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