Archive for 2022

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[Commlist] Journal of Screenwriting 13.2 published

Fri Sep 23 11:49:41 GMT 2022





Intellect is pleased to announce that Journal of Screenwriting13.2 is out now!


For more information about the journal and issue click here>>

https://www.intellectbooks.com/journal-of-screenwriting <https://www.intellectbooks.com/journal-of-screenwriting>


Aims & Scope


The Journal of Screenwritingexplores the nature of writing for the screen in its broadest sense. It showcases original thinking around screenwriting history, theory, practice and pedagogy, with a truly international perspective and outlook. The journal encourages a broad range of approaches to studying screenplays and the screenwriting profession, drawing on methodological traditions from creative practice, cultural and media studies, history and industry/production studies, to name just a few. The journal is also open to submissions that take the form of ‘industry insights’ and ‘pedagogy papers’, encouraging a wide range of voices and interests to help build and shape the field of screenwriting studies. The journal also prides itself on mentoring new voices within the field and collaboratively written articles that assist in this endeavour are welcomed.


Issue 13.2


Editorial <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00001>

CRAIG BATTY


Articles


In defence of deus ex machina <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00002>

VEIKO VAATMANN


The dramatization of the shepherd warrior in Christopher Marlowe’s Tamburlaine and the <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00003> Jordanian drama Bedouin series Rās Ghlaiṣ (‘The head of Ghlaiṣ’) <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00003>

HUSSEIN A. ALHAWAMDEH AND FERAS M. ALWARAYDAT


The biopic screenplay as a research output: Towards a working definition of narrative fiction <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00004> filmmaking methodology <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00004>

MICHAEL BENTHAM


How we role: The collaborative role-playing poetics of the Secret Story Network <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00005>

BRAD GYORI AND ANNA ZALUCZKOWSKA


Jenő Janovics: Michel Curtiz’s first screenwriter <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00006>

BALÁZS ZÁGONI


Writing for instructional screens: Expanding the scope for screenwriting practitioners <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00007>

SUSAN CAKE


Book Reviews


A Screenwriter’s Companion: Instruction, Opinion, Encouragement, Joseph Dougherty (2022) <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00008>

BRETT DAVIES


Directory of World Cinema: Africa, Blandine Stefanson and Sheila Petty (eds) (2014) <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00009>

ROSE FERRELL


Creative Practice Research in the Age of Neoliberal Hopelessness, Agnieszka Piotrowska (ed.) (2020) <https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000002/art00010>

JAMES SHELTON


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