Archive for 2022

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[Commlist] New book: ReFocus: The Films of Lucrecia Martel

Wed Apr 27 13:55:51 GMT 2022





[En español a continuación]


It is with great joy that Natalia Christofoletti Barrenha shares with you the publication of the book *ReFocus: The Films of Lucrecia Martel*, which Natalia had the pleasure of co-editing with Julia Kratje and Paul Merchant, and which has the collaboration of 14 authors from several countries. Please see the Table of Contents at the end of this message.

You can find more information here: https://edinburghuniversitypress.com/book-refocus-the-films-of-lucrecia-martel.html <https://edinburghuniversitypress.com/book-refocus-the-films-of-lucrecia-martel.html>

At the moment, the book is available in hardback and e-book, but soon we will have the paperback too. Please consider ordering it for your libraries. Use the code *NEW30* for a 30% launch discount.



***


Es con gran emoción que comparto con ustedes la publicación del libro *ReFocus: The Films of Lucrecia Martel*, que tuve el placer de coeditar con Julia Kratje y Paul Merchant, y que cuenta con la colaboración de 14 autoras y autores de varios países. Pueden chequear el Sumario al final de este mensaje.

Más información aquí: https://edinburghuniversitypress.com/book-refocus-the-films-of-lucrecia-martel.html <https://edinburghuniversitypress.com/book-refocus-the-films-of-lucrecia-martel.html>

Por ahora, el libro está disponible en tapa dura y e-book, pero pronto tendremos la tapa normal. Usando el código *NEW30*, hay un 30% de descuento.



***

TABLE OF CONTENTS

*Metamorphosis and Persistence: An Introduction* - Natalia Christofoletti Barrenha, Julia Kratje and Paul R. Merchant

*Speeds, Generations, and Utopias (Concerning Lucrecia Martel’s /The Swamp/)* - Ana Amado

*Sounding Class, Race and Gender in Lucrecia Martel’s /The Swamp/ *- Dianna C. Niebylski

*Being Unable to See and Being Invisible: Unrecognizable, Inaudible Voices in /Fish/, /New Argirópolis/, and /Muta/* - Ana Forcinito

*/Muta/: Monstrosity and Mutation* - Mariana Souto and Mônica Campo

*Short Films as Aesthetic Freedom* - Emilio Bernini

*Masculinity, Desire and Performance in /The Holy Girl/* - Gonzalo Aguilar

*Other Areas: The Bio-Communal and Feminine Utopia of /Cornucopia/* - Alejandra Laera

*Realities Made to Order. On /The Headless Woman/* - Malena Verardi

*Fevers, Frights, and Psychophysical Disconnections: Invisible Threats in the Soundtracks of /Zama/ and /The Headless Woman/* - Damyler Cunha

*Martel Variations* - Adriana Amante

*‘They Smother You’* - Nora Catelli

*‘A Kind of Bliss, a Closing Eyelid, a Tiny Fainting Spell’: /Zama/ and the Lapse Into Colour* - Deborah Martin

*Phenomenology of Spirits: Off-Screen Horror in Lucrecia Martel’s Films* - David Oubiña

*The Conquest of the Uncomfortable. An Interview with Lucrecia Martel* - Natalia Christofoletti Barrenha, Julia Kratje and Paul R. Merchant

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