[Commlist] Zanzalá: Brazilian Journal of Studies on Film and Audio-Visual Genres 7.1 published

The special issue /Genres in Question/, edited by Luiza Lusvarghi 
(University of Campinas, Brazil) and Luiz Felipe Baute (University of 
Campinas, Brazil), has been published in /Zanzalá: Brazilian Journal of 
Studies on Film and Audio-Visual Genres/: 
https://periodicos.ufjf.br/index.php/zanzala/issue/view/generosemquestao 
<https://periodicos.ufjf.br/index.php/zanzala/issue/view/generosemquestao>.

/Zanzalá/ (ISSN 2236-8191) is the first Brazilian academic journal 
dedicated to genre studies in their multiple platforms or 
manifestations: prose, poetry, film, television, theatre, music, 
computer games, etc. It’s a publication linked to GENECINE: Research 
Group for Film and Audio-Visual Genres, based at the University of 
Campinas’ Department of Film. /Zanzalá/ is published annually and 
remains a scientific patrimony of the Federal University of Juiz de 
Fora, cradle of the original project and host institution of the 
necessary infrastructure for its publication. Manuscripts in the 
categories Dossier, Guest Authors, Articles, Short Papers, Review, 
Interview, and Video-Essay are accepted in five languages: Portuguese, 
English, Spanish, French, and Italian. The journal’s title is a tribute 
to a fundamental novel in the history of Brazil’s science fiction 
literature: /Zanzalá e O Reino do Céu/ (1949), written by Afonso Schmidt.

/Zanzalá/ 7.1 contains the following articles:

EDITORS’ NOTE
/Editorial/

Genres in Question: An Introduction 
<https://periodicos.ufjf.br/index.php/zanzala/article/view/37249>
/Gêneros em questão: à guisa de introdução/
Luiza Lusvarghi, Luiz Felipe Baute

GUEST AUTHORS
/Autores convidados/

/Madame Brouette/ (2002) and /Nha Fala/ (2002): African Musicals of 
Multiple Transits 
<https://periodicos.ufjf.br/index.php/zanzala/article/view/36642>
Madame Brouette/(2002) e /Nha Fala/(2002): musicais africanos de 
múltiplos trânsitos/
Jusciele Oliveira, Leandro Afonso Guimarães, Wanderley de Mattos 
Teixeira Neto

 >From Theatre to Streaming: Traces and In-Between Places of Melodrama 
in Fictional Narratives of the Past and Present 
<https://periodicos.ufjf.br/index.php/zanzala/article/view/36782>
/Do teatro ao /streaming/: rastros e entre-lugares do melodrama nas 
narrativas ficcionais do passado e do presente/
Lucas Martins Néia

What is Suspense for Netflix? 
<https://periodicos.ufjf.br/index.php/zanzala/article/view/36465>
/O que é suspense para a Netflix?/
Luís Enrique Cazani Júnior

DOSSIER
/Dossiê/

Sabrina and Carmen, the Rebel Witches: Feminism, Cultural Hybridization 
and Gender Issues in Netflix’s Original Teen Series 
<https://periodicos.ufjf.br/index.php/zanzala/article/view/36846>
/Sabrina e Carmen, as bruxas rebeldes: feminismo, hibridação cultural e 
questões de gênero nas séries originais /teen/da Netflix/
Luiza Lusvarghi

Eros’ Encoded Language: Suspense Thriller, Romantic Comedy and /You/ 
<https://periodicos.ufjf.br/index.php/zanzala/article/view/35498>
/A linguagem cifrada de Eros: suspense, comédia romântica e /Você
Carolina Oliveira do Amaral

Once Upon a Crime: The Documentary and the Crime Fiction Genre 
<https://periodicos.ufjf.br/index.php/zanzala/article/view/35595>
/Era uma vez um crime: a linguagem documental e o gênero da ficção policial/
Tatiana Helich, Tatiana Siciliano, Valmir Moratelli

Staging and Affection in the Composition of Horror in /Hereditary/ and 
/Midsommar/ 
<https://periodicos.ufjf.br/index.php/zanzala/article/view/35722>
/Encenação e afeto na composição do horror em /Hereditário/e /Midsommar
Ana Maria Acker, Alexia Rodriguez, Éverton Barboza, Paola Altneter

INTERVIEW
/Entrevista/

Isis Broken, Sergipean /Cangaceira/ Travesty Witch 
<https://periodicos.ufjf.br/index.php/zanzala/article/view/36865>
Isis Broken, travesti bruxa cangaceira sergipana
Samuel Macêdo do Nascimento

REVIEW
/Resenha/

Irradiating Monsters: A New Treaty of Monsterology 
<https://periodicos.ufjf.br/index.php/zanzala/article/view/37248>
Monstras irradiantes: um novo tratado da monstrologia
Marina Costin Fuser
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