[Commlist] Film Matters 12.3 published

Intellect is pleased to announce that Film Matters12.3 is out now!


For more information about the journal and issue click here>>

https://www.intellectbooks.com/film-matters 
<https://www.intellectbooks.com/film-matters>


Aims and Scope


Film Mattersis an exciting film magazine, celebrating the work of 
undergraduate film scholars. It is published three times a year, by 
students and for students, and each issue contains feature articles, as 
well as a healthy reviews section. In addition, with an undergraduate 
audience in mind, Film Mattersincludes occasional service-oriented 
pieces, such as profiles of film studies departments, articles that 
engage the undergraduate film studies community and prepare students for 
graduate study in this field, and resources and opportunities that 
undergraduate scholars can pursue. In an effort to give undergraduate 
scholars real-world, applied learning experiences, all Film 
Mattersfeature submissions undergo a peer review process.


For more information and content visit the Film Matterswebsite 
<http://www.filmmattersmagazine.com/>.


Issue 12.3


Editorial 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00001>

By Tim Palmer and Liza Palmer


ARTICLES


Cult Victim Turned Cult Star: The Hyperreal Image of Sharon Tate 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00002>

By Reid Anderson


Into the Spider-Verse and a New Age of Comic Realism 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00003>

By Sophie Barbour


Examining the Function of Pretrauma Cinema, WALL-E and the Warning for 
Our Future 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00004>

By Georgina Beeby


Gregg Araki and Queer Asian American Empowerment in the Teenage 
Apocalypse Trilogy 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00005>

By Amanda Coates


An Attitude Means a Style. A Style Means an Attitude: The Free Cinema 
Movement in 1950s Britain 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00006>

By Harriet Crisp


Makavejev’s Neo-Documentarism 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00007>

By Leo Nelki Göpfert


Orientalist Stereotypes and Transnational Feminisms in Disney’s 1998 and 
2020 Mulan 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00008>

By Emily Nighman


Transnational Filmmaking: The Intersubjective Gaze in Desierto 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00009>

By Matthew Scipione


Cracks in the Ornament: Spectatorial Relationships and Labors of Looking 
in Gold Diggers of 1933 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00010>

By Leif Tystad


White Saviors Get Gold Trophies: Colorblind Racism and Film Award 
Culture 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00011>

By Hannah Vliet


THE ROMANIAN NEW WAVE AT 20


Otto the Barbarian: Patriarchy, Feminism, and Romanian New Wave Cinema 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00012>

By Randall Rodriguez


Authority Figures in Post-Revolutionary Society: Examining Romanian 
Attitudes Toward the Police in Pororoca and Police, Adjective 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00013>

By Mason Leaver


BOOK REVIEWS


Aesthetic Categories of Transdisciplinarity in Debashree Mukherjee’s 
Bombay Hustle, Debashree Mukherjee (2020) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00014>

By Mridula Sharma


Children’s Books on the Big Screen, Meghann Meeusen (2020) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00015>

By Raena Kerr


Making Worlds: Affect and Collectivity in Contemporary European Cinema, 
Claudia Breger (2020) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00016>

By Elena Pitsilidou


It Follows, Joshua Grimm (2018) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00017>

By Tia M. Adkins


Harrison Ford: Masculinity and Stardom in Hollywood, Virginia 
Luzón-Aguado (2020) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00018>

By Grace Smith


Scholarship as Love’s Work: Catherine Wheatley’s Stanley Cavell and Film 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00019>

By Abigail Tulenko


FILM REVIEWS


Yema: Close Your Eyes and Listen 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00020>

By E. Rafael Jacobs-Perez


In My Blood It Runs (2019) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00021>

By Digby Houghton


Mudbound (2017) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00022>

By A. G. Lawler


20th Century Women (2016) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00023>

By Carleigh Laxton


1917 (2019) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00024>

By Kayleigh Penny


T2 Trainspotting (2017) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00025>

By Logan Wells


DVD/BLU-RAY REVIEWS


Mandabi (1968) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00026>

By Hollie Middleton


Symbiopsychotaxiplasm: Two Takes (1968, 2005) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000003/art00027>

By Vanessa Zarm



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