[Commlist] Issue 22 of Alphaville published

The new issue of /Alphaville: Journal of Film and Screen Media/ is now 
available online https://doi.org/10.33178/alpha.22 
<https://doi.org/10.33178/alpha.22>

Developing from the Detecting Transcultural Identity in European Popular 
Crime Narratives (DETECt) project and edited by Stefano Baschiera, this 
twenty-second issue of /Alphaville /investigates the genrefication of 
contemporary European crime cinema when it crosses national borders. 
Through a media industries approach, the contributions in this issue 
place theatrical distribution at the centre of genre analysis, and 
address thematic and productive features as well as the changing 
cultural capital of crime cinema productions.

Happy open-access reading!

*Editorial*

On the Cultural Circulation of Contemporary European Crime Cinema

by Stefano Baschiera

https://doi.org/10.33178/alpha.22.00 <https://doi.org/10.33178/alpha.22.00>

*Articles*

DETECting the “Noirification” of European Popular Narratives Across 
Film, Fiction and Television

by Federico Pagello

https://doi.org/10.33178/alpha.22.01 <https://doi.org/10.33178/alpha.22.01>

Capturing European Crime: European Crime Cinema at European Film Festivals

by Russ Hunter

https://doi.org/10.33178/alpha.22.02 <https://doi.org/10.33178/alpha.22.02>

The Troubles Crime Thriller and the Future of Films about Northern Ireland

by Richard Gallagher

https://doi.org/10.33178/alpha.22.03 <https://doi.org/10.33178/alpha.22.03>

The Distribution and Promotion of /Dogman/ (2016) in the United States

by Damiano Garofalo

https://doi.org/10.33178/alpha.22.04 <https://doi.org/10.33178/alpha.22.04>

Cosmopolitan Crimes: Sebastian Schipper’s /Victoria/ (2015) and the 
Distribution of European Crime Films

by Markus Schleich

https://doi.org/10.33178/alpha.22.05

*Book Reviews*

/Documentary Across Platforms: Reverse Engineering Media, Place, and 
Politics/, by Patricia R. Zimmerman

Reviewed by Dara Waldron

https://doi.org/10.33178/alpha.22.06 <https://doi.org/10.33178/alpha.22.06>

**

/The Red Years of Cahiers du Cinéma (1968–1973)/, by Daniel Fairfax

Reviewed by Marco Grosoli

https://doi.org/10.33178/alpha.22.07 <https://doi.org/10.33178/alpha.22.07>

/Twenty-First-Century Hollywood: Rebooting the System/, by Neil Archer

Reviewed by Alexander Christensen

https://doi.org/10.33178/alpha.22.08 <https://doi.org/10.33178/alpha.22.08>

/Below the Stars: How the Labor of Working Actors and Extras Shapes 
Media Production/, by Kate Fortmueller

Reviewed by Yan Jin

https://doi.org/10.33178/alpha.22.09 <https://doi.org/10.33178/alpha.22.09>

//

/Ride the Frontier: Exploring the Myth of the American West on Screen/, 
by Flavia Brizio-Skov

Reviewed by Andrew Corsini

https://doi.org/10.33178/alpha.22.10 <https://doi.org/10.33178/alpha.22.10>

/Not Your Average Zombie: Rehumanizing the Undead from Voodoo to Zombie 
Walks/,//

by Chera Kee

Reviewed by Lea Espinoza Garrido

https://doi.org/10.33178/alpha.22.11 <https://doi.org/10.33178/alpha.22.11>

/Lost in the Dark: A World History of Horror/,by Brad Weismann

Reviewed by Andrew Montiveo

https://doi.org/10.33178/alpha.22.12 <https://doi.org/10.33178/alpha.22.12>

/Spaces of Women’s Cinema: Space, Place and Genre in Contemporary 
Women’s Filmmaking, /by Sue Thornham

Reviewed by Donatella Valente

https://doi.org/10.33178/alpha.22.13 <https://doi.org/10.33178/alpha.22.13>

/Cinema and Intermediality: The Passion for the In-Between /(Second, 
Enlarged Edition), by Ágnes Pethő

Reviewed by Jill Murphy

https://doi.org/10.33178/alpha.22.14 <https://doi.org/10.33178/alpha.22.14>

/Alphaville: Journal of Film and Screen 
Media/–//http://www.alphavillejournal.com/ 
<http://www.alphavillejournal.com/>//

International, open access, peer reviewed

Published by the Department of Film & Screen Media at University College 
Cork, Ireland

https://www.ucc.ie/en/fmt/film/ <https://www.ucc.ie/en/fmt/film/>

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