[Commlist] Cinéma & Cie vol. 21 nn. 36/37 published

Cinéma & Cie is happy to announce its new issue is available on our website.

For more information about the journal, including call for essays, click 
here
<https://www.cinemaetcie.net/ <https://www.cinemaetcie.net/>>

Aim of the Journal
Cinéma & Cie is an international, peer-reviewed academic journal. 
Published from 2001, it supports innovative perspectives and 
groundbreaking methodological approaches in the fields of film and media 
studies as well as screen cultures. Since 2021, Cinéma & Cie is an Open 
Access Journal.



Vol. 21 nn. 36/37 - Glocal Detectives. Cultural Diversity In European Tv 
Crime Drama, edited by Luca Barra, Alice Jacquelin and Federico Pagello

TV screens across Europe are more and more filled with detectives, 
investigators, police(wo)men coming from abroad. After a long-lasting 
prominence of US figures, the last decades have offered an increasing 
visibility to characters coming from the UK, the Nordic regions of 
Scandinavia, the major continental markets as France, Germany, Spain and 
Italy, the Mediterranean regions, the Eastern and Central European 
countries, and so on. European crime narratives are complex objects: 
national, and global, and often glocal. Their popularity and circulation 
in European markets brings cultural diversity and puts audiences in 
touch with other not-so-far yet distinct cultures, while also - 
sometimes - laying ground for the development of a truly transnational, 
cross-European, shared popular culture. The special issue of Cinéma & 
Cie presents some results of the research carried out by Horizon 2020 
project DETECt - Detecting Transcultural Identity in Contemporary 
Popular Crime Narratives, and includes a wide range of case histories, 
theoretical approaches, methodological frameworks.

Researching European Crime Narratives and the Role of Television: An 
Introduction
Luca Barra, Alice Jacquelin, Federico Pagello
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16385 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16385>>

BBC's "Sherlock" and Europeanness: A Case Study on the Circulation of a 
European TV Crime Series in Italy
Luca Antoniazzi, Sara Casoli
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16386 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16386>>

On the Circulation of European TV Crime Series: A Case Study of the 
French Television Landscape (1957?2018)
Laëtitia Biscarrat
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16387 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16387>>

Producing Peripheral Locations: Double Marginality in Italian and Danish 
Television Crime Narratives
Kim Toft Hansen, Valentina Re
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16388 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16388>>

Away from London: Crime and Regional Film Commissions in the UK
Markus Schleich
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16390 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16390>>

Paths to Quality Television in Eastern Europe. Where Do Hungarian and 
Romanian HBO Series Come From?
Roxana Eichel, Anna Keszeg
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16391 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16391>>

Constructing Ethnic Minority Detectives in French and German Crime 
Television Series
Álvaro Luna-Dubois
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16392 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16392>>

European Neurodivergent Detectives and the Politics of Autism Representation
Monica Dall'Asta
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16393 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16393>>


Beyond Cinema Section

Between Visibility and Media Performativity. The Role of Interface and 
Gesturality in Desktop Cinema
Elio Ugenti
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16394 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16394>>


Reviews

"Sulle tracce del crimine. Viaggio nel giallo e nero Rai / Hot on the 
Heels of Crime. A Journey into the World of Detectives on Rai"
Paola Valentini
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16422 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16422>>

Daniela Treveri Gennari, Catherine O'Rawe, Danielle Hipkins, Silvia 
Dibeltulo, and Sarah Culhane, Italian Cinema Audiences: Histories and 
Memories of Cinemagoing in Post-War Italy, New York: Bloomsbury 
Academic, 2020, pp. 240
Mariagrazia Fanchi
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16423 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16423>>

Film and Domestic Space: Architectures, Representations, Dispositif, 
edited by Stefano Baschiera and Miriam De Rosa Edinburgh: Edinburgh 
University Press, 2020, pp. 256
Cristina Formenti
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16424 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16424>>


Projects & Abstracts

Ph.D. Thesis Abstract - Helena Lumbreras et le "Colectivo de Cine de 
Clase": une pratique cin?matographique militante ? la fin du franquisme 
et durant la transition en Espagne
Elena Bl?zquez
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16396 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16396>>

Horizon 2020 Research Project - DETECt ? Detecting Transcultural 
Identity in European Popular Crime Narratives
Federico Pagello
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16395 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16395>>

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