[Commlist] Film Matters 12.2 published

Intellect is pleased to announce that Film Matters12.2 is out now!


For more information about the journal and issue click here>>

https://www.intellectbooks.com/film-matters 
<https://www.intellectbooks.com/film-matters>


Aims and Scope


Film Mattersis an exciting film magazine, celebrating the work of 
undergraduate film scholars. It is published three times a year, by 
students and for students, and each issue contains feature articles, as 
well as a healthy reviews section. In addition, with an undergraduate 
audience in mind, Film Mattersincludes occasional service-oriented 
pieces, such as profiles of film studies departments, articles that 
engage the undergraduate film studies community and prepare students for 
graduate study in this field, and resources and opportunities that 
undergraduate scholars can pursue. In an effort to give undergraduate 
scholars real-world, applied learning experiences, all Film 
Mattersfeature submissions undergo a peer review process. For more 
information and content visit the Film Matterswebsite here:

http://www.filmmattersmagazine.com/ <http://www.filmmattersmagazine.com/>


Issue 12.2


The Monstrous: Preface 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00001>

By Amber Power


“THE MONSTROUS” (CHAPMAN FEATURES)


The Complexities of Exile, the Other, and the Postcolonial Predicament 
in Beau Travail(Claire Denis, 1999) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00002>

By Cáit Murphy


Tired Gaze: A Feminist Reading of Quentin Dupieux’s Rubber (2010) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00003>

By Lauren Powell


The Monster and the Mob: A Critical Analysis of Fritz Lang’s Fury (1936) 
and James Whale’s Frankenstein (1931) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00004>

By Emma Cieslik


One of the Boys: The Smug, Patriarchal Undertones of Anders als die 
Andern(1919) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00005>

By Devon Kurtz


UNCW FEATURES


Seeing Triple: Identification and Gamic Vision in Film and FPS Games 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00006>

By Clare Matthews


The “Eagle Scout Film”: David Lynch as Auteur and Genre Filmmaker 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00007>

By Jonathan Monovich


Over and Over, and Over Again: Tension, Repetition, and Catharsis in the 
Films of Wes Anderson 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00008>

By Michael Stringer


The Triumph of Trauma: Tarantino Style 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00009>

By Samantha Van Zandt


CHAPMAN FEATURETTES


The Evolution of the Monstrous: An Interview with Bong Joon-ho 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00010>

By Angelique Acuna


Exploring Internal and External Monstrosity: An Interview with Damon 
Lindelof on Confronting Visible and Invisible Monsters through 
Television 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00011>

By Hunter Freedman


BOOK REVIEWS


Transnationalism and Genre Hybridity in New British Horror, Lindsey 
Decker (2021) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00012>

By Owen Bradford


Global TV Horror, Stacey Abbott and Lorna Jowett (2021) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00013>

By Brandon Cloobeck


New Blood: Critical Approaches to Contemporary Horror, Eddie Falvey, Joe 
Hickinbottom, and Jonathan Wroot (2021) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00014>

By Brandon Winchester


Bond Girls: Body, Fashion and Gender, Monica Germanà (2020) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00015>

By Caroline Arden


Suburban Fantastic: Growing Up in the Late Twentieth Century, Angus 
McFadzean (2019) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00016>

By Carleigh Laxton


FILM REVIEWS


Axolotl Overkill(2017) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00017>

By Anya Ekaterina


Another Round(Druk, 2020) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00018>

By Dylan O’Connell


This Texas Thing Here 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00019>

By McKenna Dallas


DVD/BLU-RAY REVIEWS


Town Bloody Hall(1979) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00020>

By Isabella Caron


The Night of the Hunter(1955) 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00021>

By Devin Meenan


The Grand Budapest Hotel(2014) in Four Frames 
<https://www.ingentaconnect.com/contentone/intellect/fm/2021/00000012/00000002/art00022>

By Tia M. Adkins, A. G. Lawler and Grace Smith



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