Archive for 2021

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[Commlist] New book: Researching Live Music

Mon Nov 22 14:12:16 GMT 2021





We’re very pleased to announce that the book */Researching Live Music: Gigs, Tours, Concerts and Festivals/* has now been published.

Edited by Chris Anderton and Sergio Pisfil, the book brings together scholars from around the world to address a range of live music issues and contexts. Our thanks go to all our contributors for their great chapters.

You can learn more here: https://www.routledge.com/Researching-Live-Music-Gigs-Tours-Concerts-and-Festivals/Anderton-Pisfil/p/book/9780367405007 <https://www.routledge.com/Researching-Live-Music-Gigs-Tours-Concerts-and-Festivals/Anderton-Pisfil/p/book/9780367405007>

*CONTENTS*

*Introduction: Live music studies in perspective*

CHRIS ANDERTON AND SERGIO PISFIL

*1 Festivals, free and unfree: Alex Cooley and*

*the American rock festival*

STEVE WAKSMAN

*2 As long as they go home safe: The voice of the independent*

*music festival promoter*

DANNY HAGAN

*3 Under the cover of darkness: Situating “covers gigs”*

*within live music ecologies*

PAT O’GRADY

*4 Showcase festivals as a gateway to foreign markets*

PATRYK GALUSZKA

*5 Disruption and continuity: Covid-19, live music,*

*and cyclic sociality*

CHRIS ANDERTON

*6 Live sound matters*

CHRISTOPHER JAMES DAHLIE, JOS MULDER, SERGIO PISFIL,

AND NICK REEDER

*7 Mobile spectacle: Es Devlin’s **/Pandemonium /**tour design *

GLYN DAVIS

*8 Fulfilling the hospitality rider: Working practices*

*and issues in a tour’s supply chain*

GABRIELLE KIELICH

*9 Vocaloid liveness? Hatsune Miku and the live*

*production of Japanese virtual idol concerts*

KIMI KÄRKI

*10 Making music public: What would a sociology*

*of live music promotion look like? *

LOÏC RIOM

*11 Dead stars live: Exploring holograms, liveness,*

*and authenticity*

KENNY FORBES

*12 Live … as you’ve always heard it before: Classic rock,*

*technology, and the re-positioning of authenticity*

*in live music performance*

ANDY BENNETT

*13 Approaching the live from a distance: The unofficial*

*Led Zeppelin archive*

STEPHEN LOY

*14 Music cities, or cities of music?*

CHRISTINA BALLICO AND DAVE CARTER

*15 State of play: Tensions and interventions in live music policy*

ADAM BEHR

*16 Por Más Músicas Mujeres en Vivo!: The Live Music*

*Female Quota law and its implications for Argentine*

*music festivals*

SARAH LAHASKY

*17 Beyond live shows: Regulation and innovation in the*

*French live music video economy*

GÉRÔME GUIBERT, MICHAËL SPANU, AND CATHERINE RUDENT


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