[Commlist] Journal of African Cinemas 12.2-3 published (Special Issue: 'The Filmic and the Photographic')

Intellect is pleased to announce that Journal of African Cinemas 12.2-3 
is out now!


Special Issue: ‘The Filmic and the Photographic’


For more information about the journal and issue, click here>>

https://www.intellectbooks.com/journal-of-african-cinemas 
<https://www.intellectbooks.com/journal-of-african-cinemas>


Aims and Scope


The Journal of African Cinemas explores the interactions of visual and 
verbal narratives in African film. It recognizes the shifting paradigms 
that have defined and continue to define African cinemas. Identity and 
perception are interrogated in relation to their positions within 
diverse African film languages. The editors are seeking papers that 
expound on the identity or identities of Africa and its peoples 
represented in film. The aim is to create a forum for debate that will 
promote inter-disciplinaritybetween cinema and other visual and 
rhetorical forms of representation.



Issue 12.2-3


African Visual Cultures Special Issue: the filmic and the photographic


Introduction to African Visual Cultures Special Issue: the filmic and 
the photographic


 From mugshots to movie stars: Orchestrating attention and constituting 
visual cultures through film and photograph 
<https://www.ingentaconnect.com/contentone/intellect/jac/2020/00000012/f0020002/art00001>

CORINNE A. KRATZ


Articles


Experiments in cinematic biography: Ken Gampu’s early life in the cinema 
<https://www.ingentaconnect.com/contentone/intellect/jac/2020/00000012/f0020002/art00002>

LITHEKO MODISANE


Following the image: Examining the multiple afterlives of apartheid-era 
prison identification photographs 
<https://www.ingentaconnect.com/contentone/intellect/jac/2020/00000012/f0020002/art00003>

BIANCA VAN LAUN


Presence and exhibition of African film in Harlem 
<https://www.ingentaconnect.com/contentone/intellect/jac/2020/00000012/f0020002/art00004>

BOUKARY SAWADOGO


Opening the wound: Receptions and readings of Inxeba in South Africa 
<https://www.ingentaconnect.com/contentone/intellect/jac/2020/00000012/f0020002/art00005>

SUSAN LEVINE


Moving still: Bicycles in Ranchhod Oza’s photographs of 1950s Stone Town 
(Zanzibar) 
<https://www.ingentaconnect.com/contentone/intellect/jac/2020/00000012/f0020002/art00006>

PAMILA GUPTA


General Submissions


Battered bodies: Characterizing Johannesburg’s apartheid past and 
present in Gavin Hood’s Tsotsi 
<https://www.ingentaconnect.com/contentone/intellect/jac/2020/00000012/f0020002/art00007>

ADDAMMS MUTUTA


The role of place and identity as core contributing success factors in 
Jayan Moodley’s Keeping up with the Kandasamys and Kandasamys: The 
Wedding 
<https://www.ingentaconnect.com/contentone/intellect/jac/2020/00000012/f0020002/art00008>

SOGEN MOODLEY AND ARUSHANI GOVENDER


Review Essay


Political economy of Nollywood: A literature review 
<https://www.ingentaconnect.com/contentone/intellect/jac/2020/00000012/f0020002/art00009>

EZINNE M. EZEPUE


Book Review


(Re)imagining African Independence: Film, Visual Arts, and the Fall of 
the Portuguese Empire, Maria Do Carmo Piçarra and Teresa Castro (eds) 
(2017) 
<https://www.ingentaconnect.com/contentone/intellect/jac/2020/00000012/f0020002/art00010>

CLAUDIA GASTROW


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