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[Commlist] Short Fiction In Theory and Practice 11.1-2 published - Special Issue: ‘More than Meets the Ear: Sound and Short Fiction’

Mon Jul 19 18:08:11 GMT 2021




Intellect is pleased to announce that Short Fiction in Theory and Practice 11.1-2 is out now!


Special Issue: ‘More than Meets the Ear: Sound and Short Fiction’


For more information about the journal and issue, click here >>

https://www.intellectbooks.com/short-fiction-in-theory-practice <https://www.intellectbooks.com/short-fiction-in-theory-practice>


Aims and Scope


Short Fiction in Theory & Practice provides an international forum for all those writing, reading, translating or publishing the short story, in all its diversity – including flash fiction, the novella, cycles, sequences, anthologies and single-author collections; hypertext, popular fiction (e.g. science fiction, horror), the prose poem, the non-fiction story and other hybrid genres. It looks at the short story from the practitioner’s viewpoint; we are concerned with the ongoing process and philosophy of composition rather than the ‘postevent’ dissection of literary texts.


Issue 11.1-2


Editorial


Hearing eyes <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00001>

SYLVIA MIESZKOWSKI


Articles


Sounding diasporic dislocation: The object voice in postcolonial short stories <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00002>

JORGE SACIDO-ROMERO


Invisible or inaudible? The representation of working-class immigrants in the short fiction of <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00003>

Junot Díaz <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00003>

MÓNICA FERNÁNDEZ JIMÉNEZ


Sounding displaced memories: Narrative soundscapes in Edwidge Danticat’s Krik? Krak! <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00004>

PAULA BARBA GUERRERO


‘J’ai mon silence’: The interrelations of sound, voice and silence in three short stories by Sylvia Townsend Warner <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00005>

DAVID MALCOLM


‘I start again with every story, listening’: Sound, silence and voice in two short stories by David Constantine <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00006>

WOLFGANG GÖRTSCHACHER


Silence, gender and metamorphosis in Joanna Walsh’s ‘Worlds from the Word’s End’ <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00007>

PAUL FAGAN


Aural disturbance in the stories of M. R. James <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00008>

TRACY HAYES


Gothic soundscapes and rhythm in Edgar Allan Poe’s short stories <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00009>

LUCIE RATAIL


Soundscapes, evocalization and poetics of the everyday in ‘An Epiphany Tale’ by George <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00010>

Mackay Brown <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00010>

HALSZKA LELEŃ


‘Modulation’ by Richard Powers: Digital sound, compression and the short story <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00011>

MICHAEL HEDGES


Interview


‘It is sound that lives in her’: An interview with Joanna Walsh <https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00012>

PAUL FAGAN AND JOANNA WALSH


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