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[Commlist] Call for Papers Critical Perspectives on the Films of Adam Curtis
Tue Apr 20 21:19:44 GMT 2021
*Call for Papers *
*Critical Perspectives on the Films of Adam Curtis *
/Online Conference, Wednesday^8^th September 2021/
***//
Critical Perspectives on the Films of Adam Curtis//is a one-day,
interdisciplinary conference hosted in collaboration with the University
of Nottingham’s Institute for Screen Industries Research which
critically examines the films of the documentary filmmaker Adam Curtis.
The keynote speaker for the conference is Professor Brian Winston
<https://staff.lincoln.ac.uk/bwinston>. Professor Winston is the Chair
of the Lincoln School of Film and Media, founding chair of the British
Association of Film, Television and Media Studies and has served as a
governor of the British Film Institute. He has published over 17 books
as well as receiving a US prime-time Emmy for documentary script writing
and a Special Jury prize from the British University Council for Film
and Video.
To register for the conference please visit our Eventbrite page:
https://www.eventbrite.co.uk/e/critical-perspectives-on-the-films-of-adam-curtis-tickets-149549357153
<https://www.eventbrite.co.uk/e/critical-perspectives-on-the-films-of-adam-curtis-tickets-149549357153>
Adam Curtis is one of Britain’s most prominent and controversial
documentary filmmakers. From 1992’s BAFTA award winning warning about
the dangers of technocracy in /Pandora’s Box/ to his critical analysis
of the ideological origins of Islamic terrorism in 2015’s /Bitter Lake/,
Curtis ranges over a vast historical, cultural and intellectual canvas.
For some cultural commentators, Curtis’ documentaries, like the recent
six-film BBC series /Can’t Get You Out of My Head/, are ‘dazzling
masterpieces’ which bring to life concepts and approaches borrowed from
the history of emotions, sociology, psychology and philosophy. For
others, Curtis uses his privileged access to BBC archives to patch
together discrete phenomena – from the Sex Pistols’ /Who Killed Bambi/
to the revolutionary operas of Chairman Mao’s wife, Jiang Qing – into an
incoherent and misguided grand narrative of historical and sociological
change.
Despite this prominence (or perhaps because of it), Curtis’ films and
the history of ideas they present has received very little academic
scrutiny. This scrutiny could extend to the range of material collated
by Curtis, how these are presented or constructed, as well as the
reception of his ideas among critics and a broader public. In this
sense, the films of Adam Curtis serve as a useful vehicle to explore
broader intellectual questions: How do scholars approach film as a
historical text? How to filmmakers convey political concepts and ideas?
How are documentary films related to more conventional sources of
political thought and cultural practice?
Potential approaches and topics could include, but are not limited to:
* The History of Emotions
* Intellectual History/History of Ideas
* Conceptions of the Self
* Capitalism/Power
* Patterns/Time in History
* Memory
* The Screen Archive in Historical Practical
* Critical Reception and Audiences
* The BBC and Public History
* iPlayer and YouTube as Distribution Form
* Locating Curtis in Film Traditions
It is intended that some contributors to the conference will have their
papers published as part of an edited collection. There will also be the
opportunity to publish shorter articles online.
To submit a short biography (of no more than 300 words) and an abstract
(of no more than 300 words) for presentations of 20 minutes per paper to
Dr David Robinson at (david.robinson /at/ nottingham.ac.uk)
<mailto:(david.robinson /at/ nottingham.ac.uk)>
The call for papers will *close on the 1^st July 2021*. Successful
applicants will be notified no later than the 14^th July 2021.
For conference news and updates on Twitter follow: @critical_adam
<https://twitter.com/critical_adam>
For more information on the Institute for Screen Industries Research:
https://www.nottingham.ac.uk/research/groups/isir/index.aspx
<https://www.nottingham.ac.uk/research/groups/isir/index.aspx>
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