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[Commlist] CfP: 12th International Music Business Research Days - Staging popular music: sustainable music ecologies for artists, industries and cities
Tue Mar 16 13:20:24 GMT 2021
*CfP: 12th International Music Business Research Days - Staging popular
music: sustainable music ecologies for artists, industries and cities*
Erasmus University Rotterdam, the Netherlands, 3-4-5 November 2021
This conference focuses on the intersection between key transformations
in the popular music industries. Music represents and generates value on
various levels from the individual to the global, and in many different
spheres from the cultural and social to the economic and political.
Popular music is staged through multiple platforms, actors, businesses,
intermediaries and policies. The current COVID-19-crisis both challenges
the music industries and acts as a catalyst of new digital innovations.
This is a vital moment to (re)consider the future directions of the
music industries. While the music industries are characterized by
continuous change and transformation, significant disruptions have
always impacted its resilience. Such disruptions can be external shocks,
including the current crisis, new technologies, political change or
aesthetic-cultural innovations. From an ecological perspective, all
transformations force the industry to reshape and rethink itself. This
will likely result in both positive as negative consequences. We need to
critically reflect on what the immediate and long-term future of music
ecologies entails, who benefits and who suffers from such disruptions.
Focusing on a select number of interrelated themes, this conference aims
to bring together scholars and professionals from various countries and
disciplines. Participants bring their own perspective to the stage in an
international exchange of ideas and current research insights about the
contemporary music industries.
The Music Business Research Days offer an interdisciplinary forum at the
intersection of economic, artistic, cultural, social, legal,
technological and further developments which contribute to the
creation/production, dissemination/ distribution and
reception/consumption of music. This interdisciplinary nature calls for
methodological multiplicity and is open to scholars from all scientific
areas. We invite submission of papers on - but not strictly limited to -
the themes and example questions below:
Music industries & business
● Values: how are processes of value creation changing?
● Festivals: how to find a balance between rising headliner fees and
fair pay for emerging acts?
● Platforms: are platforms the new gatekeepers?
● Sustainability: how to organize eco-friendly concerts, how to
distribute wealth more equally?
● Risks: how to operate in an unpredictable market?
● Monetization: is livestreaming a business model?
● Careers: is there a financially sustainable career in music? ●
Education: how to prepare music students for a future in music?
● Revenues: is the superstar economy intensifying?
● Management: is self-management a viable option for artists?
● Performances: what are new online and offline formats for concerts?
● Entrepreneurship: are musicians reluctant entrepreneurs?
Media & digital innovations
● Playlists: how do playlists influence taste?
● Platforms: what are gatekeeping practices of digital platforms? ●
Social media: do they help musicians to build their careers independently?
● Fans: how are relationships between artists and fans changing?
● Consumption: how does consuming recorded music relate to consuming
● Inclusion: how can live music reach more diverse audiences?
● Technology: how do audiences experience live shows offline vs online?
● Governance: how to sustain a local music sector in times of crisis?
● Resilience: how to build strong live music ecologies?
● Equity: how to make sure that the live music industry works for all
● Supply: how to sustain a healthy supply of grassroots music venues?
Please send your abstract no later than May 31, 2021 via
Abstracts can be 500-750 words and need 3-5 keywords (any references are
included in the word count) and must include:
● Objectives of the research and research question
● Brief description of the disciplinary/theoretical context/background ●
Data and methods ● Main or expected conclusions / contribution
Abstracts will be subject to a peer review process by an international
jury, and authors will be notified of acceptance by July 1, 2021.
● 31 May: Abstract submission deadline
● 1 July: Notification of acceptance
● 3-4-5 November: Conference
We are hopeful that this will be a live conference and aim for physical
co-presence. However, well, who knows. As the ongoing impacts of
COVID-19 may make physical attendance difficult for some, the conference
will offer the opportunity to present papers in special virtual sessions.
The conference is organized by the International Music Business Research
Association. It is hosted by ERMeCC, the Erasmus Research Centre for
Media, Communication and Culture in cooperation with Creating010. For
more information, please contact: (imbrd2021 /at/ gmail.com) or check
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