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[Commlist] From Street to Screen: Charles Burnett’s Killer of Sheep
Thu Mar 04 20:43:39 GMT 2021
New publication from Indiana University Press, which we hope will be of
interest.
*From Street to Screen***
Charles Burnett’s Killer of Sheep
*Edited by Michael T. Martin & David C. Wall***
*_https://www.combinedacademic.co.uk/9780253049544/from-street-to-screen/ <https://www.combinedacademic.co.uk/9780253049544/from-street-to-screen/>_*
*__*
*Receive a 20% discount online:*
*CSLS2020*
“With /From Street to Screen, /Michael T. Martin and David C. Wall
thoughtfully assemble some of the most compelling scholarship on Charles
Burnett's /Killer of Sheep/, providing an essential collection of essays
for those who want to understand the cinematic impact of Burnett and his
seminal American film. The engaging essays situate, historicize, and
textually examine the deeply poetic and neo-realist rendering of Black
life in Burnett's film while the inclusion of the screenplay, biography,
and filmography lend this compendium to a range of pedagogical
impulses.”—*Samantha N. Sheppard, Cornell University, author of
/Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on
Screen/**__*
*__*
“Michael Martin and David Wall bring long-awaited attention to a film
that reflects the pioneering spirit of L.A Rebellion filmmakers. Their
edited collection gathers a series of texts that inform the poetic
politics of Charles Burnett's /Killer of Sheep/, a unique film to date
about how to survive in 1970's Watts. A historical and filmic landmark,
/Killer of Sheep/ captures the ghetto and its residents in beautiful
black and white cinematography.”*—Delphine Letort, author of /The Spike
Lee Brand: A Study of Documentary Filmmaking/**__*
*__*
Charles Burnett’s 1977 film, /Killer of Sheep/is one of the towering
classics of African American cinema. As a deliberate counterpoint to
popular blaxploitation films of the period, it combines harsh images of
the banality of everyday oppression with scenes of lyrical beauty, and
depictions of stark realism with flights of comic fancy. /From Street to
Screen: Charles Burnett’s Killer of Sheep/is the first book-length
collection dedicated to the film and designed to introduce viewers to
this still relatively unknown masterpiece. Beginning life as Burnett’s
master’s thesis project in 1973, and shot on a budget of $10,000,
/Killer of Sheep/immediately became a cornerstone of the burgeoning
movement in African American film that came to be known variously as the
LA School or LA Rebellion. By bringing together a wide variety of
material, this volume covers both the politics and aesthetics of the
film as well as its deeper social and contextual histories. This
expansive and incisive critical companion will serve equally as the
perfect starting point and standard reference for all viewers, whether
they are already familiar with the film or coming to it for the first
time.*__*
*__*
*Michael T. Martin*is Professor of Cinema and Media Studies in the Media
School at Indiana University Bloomington. He is editor or coeditor of
seven anthologies, and (with David C. Wall) /The Politics and Poetics of
Black Film: /Nothing But a Man and /Race and the Revolutionary Impulse
in /The Spook Who Sat by the Door. He also directed and coproduced the
award-winning feature documentary on Nicaragua In the Absence of Peace,
distributed by Third World Newsreel.*__*
*__*
*David C. Wall*is Assistant Professor of Visual and Media Studies at
Utah State University. He edited (with Michael T. Martin) /The Politics
and Poetics of Black Film: /Nothing But a Man and /Race and the
Revolutionary Impulse in /The Spook Who Sat by the Door. Other recent
work can be found in /Nineteenth-Century Studies/and /A Companion to the
Historical Film/.*__*
*Indiana University Press**| Studies in the Cinema of the Black Diaspora
| December 2020 | 290pp | 9780253049544 | PB | £26.99**
*Price subject to change.
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