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[Commlist] New Book: (W)archives: Archival Imaginaries, War, and Contemporary Art
Thu Feb 04 18:56:10 GMT 2021
We are pleased to announce the publication of this new volume on the
relation between digital technologies, archiving, and war:
*/(/**/W)archives: Archival Imaginaries, War, and Contemporary Art/*
*
*
*ed. by Daniela Agostinho, Solveig Gade, Nanna Bonde Thylstrup and
Kristin Veel *
/
/
Digital and data technologies are actively transforming the archives of
contemporary warfare. Bringing together a range of scholarly
perspectives and artistic practices, /(W)archives/ investigates digital
archiving as an integral technology of warfare and how artists respond
to these changes.
Throughout the book, the (w)archive emerges as a term to grasp the
extended materiality of war today, wherein digital archiving intersects
with images, bodies, senses, infrastructures, environments, memories,
and emotions. The essays explore how this new digital materiality of war
reconfigures the archival impulses that have shaped artistic practices
over the last decades, and how archives can be mobilized to articulate
political demands, conjure new forms of evidence, and make palpable the
experience of living with war.
With contributions by: Daniela Agostinho, Heba Y. Amin, Ariella Azoulay,
Svea Braunert, Anthony Downey, Sophie Dyer, Anders Engberg-Pedersen,
Solveig Gade, Cristián Gomez-Moya, Sofie Lebech, Aimée Zito Lema,
Kathrin Maurer, Kevin McSorley, Dima Saber, Oraib Toukan, Sarah Tuck,
Louise Wolthers and Arkadi Zaides.
*Table of Contents*
(W)archives: Materialities of War, Digital Archiving and Artistic
Engagements
Daniela Agostinho, Solveig Gade, Nanna Bonde Thylstrup and Kristin Veel
A. Archiving War. Spatiotemporal Reconfigurations
1. Archives of Enmity and Martial Epistemologies
Kevin McSorley
2. Event Maps. The Cartographic Archive and Imagined Futures of War
Anders Engberg Pedersen
3. The Cerrillos Archive Project. Machines, War, and Nonhuman rights
Cristián Gomez-Moya
B. The Aesthetics of Drone Formations. Counter-archives, Mediations and
Interventions
1. Drones as Big Data Archives. Mimesis and Counter-Archiving in
Contemporary Art on Military Drones
2. Avian Prophecies and the Techno-Aesthetics of Drone Warfare
Heba Y. Amin and Anthony Downey
3. Watched by Drones. Photographic Surveillance in Art, War, and Protest
A conversation between Svea Braeunert, Sarah Tuck, and Louise Wolthers
C. Sensing War. Technologies, Intimacies, and Bodies
1. Cruel Intimacies
Daniela Agostinho
2. A Probable Female, a Probable Child. Civilian Casualties, Remote
Monitoring, and Recognition Work in the Air War against ISIS
Sophie Dyer
3. (Touring)
Oraib Toukan
4. The Subversive Body
Aimée Zito Lema
5. Archives of the Flesh. Reenacting Memories of Torture
Sofie Lebech
D. Evidentiary Aesthetics. Documenting, Witnessing, Redressing
1. The Imperial Conditions of Photography in Palestine. Archives,
Looting, and the Figure of the Infiltrator
Ariella Azoulay
2. Necropolis. Walking through a List of Deaths
Arkadi Zaides
3. Forensic (Im)probabilities. Entering Schrödinger's Box with Rabih
Mroué and Hito Steyerl
Solveig Gade
4. Transitional What? Perspectives from Syrian Videographers on YouTube
Takedowns and the “Video as Evidence” Ecology
Dima Saber
The book can be ordered at:
https://www.sternberg-press.com/product/warchives/
<https://www.sternberg-press.com/product/warchives/>.
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