[Commlist] Alphaville 21 - Mining Memories: New Explorations in Cinema, Memory and the Past published

We’re delighted to announce publication of the new issue of 
/Alphaville/, the peer-reviewed, open-access journal published by the 
Department of Film and Screen Media at UCC:

*/Alphaville/**Issue 21 – **https://doi.org/10.33178/alpha.21* 
<https://doi.org/10.33178/alpha.21>

This issue of Alphaville on /Mining Memories: New Explorations in 
Cinema, Memory and the Past/, edited by Gwenda Young, opens with the 
Editor’s timely commemoration of the work of Bertrand Tavernier, who 
died in March of this year – a filmmaker “who made seminal interventions 
in the ongoing critical debate concerning memory and history”, as Young 
writes in her Editorial. The issue comprises five articles by Frances 
Guerin, Sue Vice and Dominic Williams, Elzbieta Buslowska, Marie Krämer, 
and Maud Ceuterick on the theme of memory in film and new media. The 
theme is also addressed in this issue’s podcast, presenting an extended 
conversation between Young and Tadhg O’Sullivan (/To the Moon/, 2020; 
/The Great Wall/, 2015; /Yximalloo/, 2014, with Feargal Ward), an Irish 
artist and filmmaker often working with literary sources and the 
cinematic archive, whose films seek to evoke the timelessness of human 
experience and to illuminate the present moment through ideas from the 
distant past.

The issue is completed by a dossier titled /History of Cinemagoing: 
Archives and Projects/ edited by Pierluigi Ercole, Daniela 
Treveri-Gennari and Lies Van de Vijver, and a selection of book reviews 
edited by Jill Murphy.

/Alphaville: Journal of Film and Screen Media/ 
<http://www.alphavillejournal.com/>

International, open access, peer reviewed

Published at the Department of Film & Screen Media, University College Cork

Jill Murphy

Reviews Editor

Alphaville: Journal of Film and Screen Media

**

*Table of Contents –/Alphaville/Issue 21 *

*https://doi.org/10.33178/alpha.21 <https://doi.org/10.33178/alpha.21> *

**

*Podcast*

Interview with filmmaker Tadhg O’Sullivan **

**

*Editorial*

*Mining Memories: New Explorations in Cinema, Memory and the Past*

by Gwenda Young

https://doi.org/10.33178/alpha.21.00 <https://doi.org/10.33178/alpha.21.00>

**

*Articles*

**

*Re-presenting Histories: Documentary Film and Architectural Ruins in 
/Brutality in Stone/*

by Frances Guerin

https://doi.org/10.33178/alpha.21.01 <https://doi.org/10.33178/alpha.21.01>

**

*“Non-Sites of Memory”: Poland in Claude Lanzmann’s /Shoah /Outtakes *

by Sue Vice and Dominic Williams

https://doi.org/10.33178/alpha.21.02 <https://doi.org/10.33178/alpha.21.02>

**

*Silent (Un)Becoming Song: Poetic Adventures in History, Memory and 
Identity in Pa/pusza /and /Song of Granite/ *

by Elzbieta Buslowska

https://doi.org/10.33178/alpha.21.03 <https://doi.org/10.33178/alpha.21.03>

**

*In Search of a Lost Cinema: Cinephilia and Multidirectional Moving 
Image Memory in /Golden Slumbers /*

by Marie Krämer

https://doi.org/10.33178/alpha.21.04 <https://doi.org/10.33178/alpha.21.04>

**

*Queering Cultural Memory Through Technology: Transitional Spaces in AR 
and VR *

by Maud Ceuterick

https://doi.org/10.33178/alpha.21.05 <https://doi.org/10.33178/alpha.21.05>

**

**

*Dossier –/History of Cinemagoing: Archives and Projects/ *

**

*Introduction*

by Pierluigi Ercole, Daniela Treveri-Gennari, and Lies Van de Vijver

https://doi.org/10.33178/alpha.21.06 <https://doi.org/10.33178/alpha.21.06>

**

*Cinema Memories in 3D Modelling and Virtual Reality Storytelling: The 
Odeon Cinema in Udine*

by Eleonora Roaro

https://doi.org/10.33178/alpha.21.07 <https://doi.org/10.33178/alpha.21.07>

*Hiding in Plain Sight: A Case Study of a Cinema History Project in 
Leeds, UK*

by Laura Ager

https://doi.org/10.33178/alpha.21.08 <https://doi.org/10.33178/alpha.21.08>

*A Digital Archive Is Born: Revisiting the /Cinema Culture in 1930s 
Britain /Collection*

by Julia McDowell and Annie Nissen

https://doi.org/10.33178/alpha.21.09 <https://doi.org/10.33178/alpha.21.09>

*Modern Routines: The Perception of Time and Space in Film Spectators’ 
Memories of Cinemagoing in 1940s Buenos Aires*

by Cecilia Nuria Gil Mariño, Alejandro Kelly-Hopfenblatt, Clara Kriger, 
Marina Moguillansky, and Sonia Sasiain

https://doi.org/10.33178/alpha.21.10 <https://doi.org/10.33178/alpha.21.10>

*Filmgoing or Cinemagoing? The Role of the Film Text within Cinema Memory*

by Jamie Terrill

https://doi.org/10.33178/alpha.21.11 <https://doi.org/10.33178/alpha.21.11>

*Book Reviews*

**

*Reviews Editor’s Note*

by Jill Murphy

https://doi.org/10.33178/alpha.21.12 <https://doi.org/10.33178/alpha.21.12>

*/Cinema Against Doublethink: Ethical Encounters with the Lost Pasts of 
World History/**, by David Martin-Jones*

Reviewed by Laurence Kent

https://doi.org/10.33178/alpha.21.13 <https://doi.org/10.33178/alpha.21.13>

*/Play Time: Jacques Tati and Comedic Modernism/**, by Malcolm Turvey*

Reviewed by Gianni Barchiesi

https://doi.org/10.33178/alpha.21.14 <https://doi.org/10.33178/alpha.21.14>

*/American Eccentric Cinema/**, by Kim Wilkins*

Reviewed by Ed Cameron

https://doi.org/10.33178/alpha.21.15 <https://doi.org/10.33178/alpha.21.15>

*/Roland Barthes and Film: Myth, Eroticism and Poetics/**, by Patrick 
ffrench*

Reviewed by Josh Heaps

https://doi.org/10.33178/alpha.21.16 <https://doi.org/10.33178/alpha.21.16>

*/Mexican Transnational Cinema and Literature/**, edited by Maricruz 
Castro Ricalde, Mauricio Díaz Calderón and James Ramey*

Reviewed by Carolina Rocha

https://doi.org/10.33178/alpha.21.17 <https://doi.org/10.33178/alpha.21.17>

*/Negotiating Dissidence: The Pioneering Women of Arab 
Documentary/**,**by Stefanie Van De Peer*

Reviewed by Kaya Davies Hayon

https://doi.org/10.33178/alpha.21.18 <https://doi.org/10.33178/alpha.21.18>

*/International Politics and Film: Space, Vision, Power/**, by Sean 
Carter and Klaus Dodds***

Reviewed by Juneko J. Robinson

https://doi.org/10.33178/alpha.21.19 <https://doi.org/10.33178/alpha.21.19>

*/Women in the International Film Industry: Policy, Practice and 
Power/**, edited by Susan Liddy***

Reviewed by Kath Dooley

https://doi.org/10.33178/alpha.21.20 <https://doi.org/10.33178/alpha.21.20>

*/100 Essential Indian Films/**, **by Rohit K. Dasgupta and Sangeeta Datta*

Reviewed by Darshana Chakrabarty

https://doi.org/10.33178/alpha.21.21 <https://doi.org/10.33178/alpha.21.21>

*/A Critical Companion to James Cameron,/**edited by Adam Barkman and 
Antonio Sanna*

Reviewed by Martin Jones

https://doi.org/10.33178/alpha.21.22 <https://doi.org/10.33178/alpha.21.22>

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