Archive for 2020

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[Commlist] New content: Science Fiction Film & Television 13.1 published

Tue Mar 03 13:23:11 GMT 2020





*The latest issue of /Science Fiction Film & Television/ is now available online.*

Liverpool University Press is pleased to inform you of the latest content in /Science Fiction Film & Television/, a highly regarded publication that is essential reading for those working in and researching science fiction studies.

This month’s issue is a special issue on the legacies of the /Blade Runner/ franchise in light of the new questions prompted by the recent sequel and newly expanded /Blade Runner /cinematic universe. Browse all articles here <https://online.liverpooluniversitypress.co.uk/toc/sfftv/13/1?ai=sd&ui=51qs&af=T>.

To recommend a subscription to /Science Fiction Film & Television /to your library please complete this form <https://online.liverpooluniversitypress.co.uk/recommend>.


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_Table of contents_

/Legacies of Blade Runner <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.1?ai=sd&ui=51qs&af=T> /

Sarah Hamblin and Hugh C. O’Connell

/Vitality and reproduction in Blade Runner 2049 <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.2?ai=sd&ui=51qs&af=T> /

Sherryl Vint

/Blade Runner 2049’s incongruous couplings: Living and dying in the Anthropocene <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.3?ai=sd&ui=51qs&af=T> /

Sarah Hamblin and Hugh C. O’Connell

/Race in the Blade Runner cycle and demographic dystopia <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.4?ai=sd&ui=51qs&af=T> /

Edward K. Chan

/Blade Runner 2049 and the ‘quality’ Hollywood film <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.5?ai=sd&ui=51qs&af=T> /

Geoff King

/A symposium on the legacies of Blade Runner: Cyberpunk’s masculinist legacy: Puppetry, labour and ménage à trois in Blade Runner 2049 <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6?ai=sd&ui=51qs&af=T> /

Graham J. Murphy

/‘Cells. Interlinked’: Sympathy and obligation in Blade Runner 2049 <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6a?ai=sd&ui=51qs&af=T> /

Keren Omry

/‘I’ve heard things you people wouldn’t imagine’: Blade Runner’s aural lives <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6b?ai=sd&ui=51qs&af=T> /

Paweł Frelik

/The director’s cut: Denis Villeneuve before Blade Runner 2049 <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6c?ai=sd&ui=51qs&af=T> /

Amy J. Ransom

/Seven inquiries on the antediluvian labour market of cinematic ‘sf auteurs’ and Blade Runner 2049 <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6d?ai=sd&ui=51qs&af=T> /

Ida Yoshinaga

/We, the people of Blade Runner 2049 <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6e?ai=sd&ui=51qs&af=T> /

Phillip E. Wegner

/Dystopia fatigue doesn’t cut it, or, Blade Runner 2049’s utopian longings <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6f?ai=sd&ui=51qs&af=T> /

Sean Guynes

/Book reviews <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.7?ai=sd&ui=51qs&af=T> /

Alison Sperling and Russ Hamer

/DVD reviews <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.8?ai=sd&ui=51qs&af=T> /

Benjamin J. Robertson, Christian L. Pyle, Don Kelly, and Marta F. Suarez

/About the contributors <https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.9?ai=sd&ui=51qs&af=T> /

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