[Commlist] cfp: Critical Studies in Television Conference

This is just a gentle reminder that the deadline for submitting your 
abstract to the Critical Studies in Television conference has crept up 
on us. You have 9 more days to do so.

CFP and instructions on how to submit can be found here: 
https://www.edgehill.ac.uk/media/cfp2020
	
CFP: Critical Studies in Television Biennial Conference 26th-28th August 
2020 - Media https://www.edgehill.ac.uk/media/cfp2020

CFP: Critical Studies in Television Biennial Conference
26th-28th August 2020
Edge Hill University
Ormskirk, UK

Where to, Television Studies? What directions are there to investigate? 
What are the themes that are important as the medium morphs and changes? 
What methodological challenges do these changes pose to Television 
Studies and what place does television history continue to hold within 
our discipline?

This conference will be a space where we can come together to set the 
agenda for television research and education. We therefore invite papers 
from all disciplines that engage with television and want to contribute 
to Television Studies as a field. We are particularly interested in 
papers that offer analyses of the field(s) or methods and ask questions 
about what research Television Studies should conduct and how we want to 
teach the subject. We thus invite papers that engage with any of the 
following or indeed other fields:

    Television as texts
    Television industries
    Television institutions
    Television histories
    Television audiences
    Television as a cultural form
    Television and convergence
    Television and identities
    Television business
    Television and its relation to the national, local and/or global
    Methodologies in Television Studies
    Teaching television
    Theoretical approaches to television
    Others

Two round-tables will provide insights into new directions of television 
research and questions of disciplinarity and television research. In 
addition, our keynote will examine television, its relation to 
technology and the global media market.
Confirmed speakers:
Hanne Bruun

Hanne Bruun is a Professor of Media Studies at Aarhus University, 
Denmark. She is the founder and head of the Centre for Media Industries 
and Production Studies; the author of four books, including Dansk 
tv-satire. Underholdning med kant; and the co-editor of four books. She 
has contributed to several books, e.g. Advancing Media Production 
Studies eds. Paterson, C. et al., and journals, e.g. Nordic Journal of 
Media Studies (2019), Critical Studies in Television, Nordicom Review, 
the European Journal of Communication and Media, Culture & Society. Her 
most recent book is Re-Scheduling Television in the Digital Era (2020).


Kerr Castle

Kerr completed his PhD recently at the University of Glasgow where he 
investigated the role of television as a ‘comfort’ medium. He worked 
with the NHS and has published several blogs on CSTOnline. He now works 
for the QAA Scotland.




Christine Geraghty

Christine is an Honorary Professorial Research Fellow at the University 
of Glasgow, UK. Her research spans television and film, and she was part 
of the early researchers looking into soap opera, the experience of 
which she has documented in several publications. Her books include 
Women and Soap Opera (1991) and Now a Major Motion Picture: Film 
Adaptations of Literature and Drama (2008). She is currently researching 
race and casting.


Brett Mills

Brett Mills is a Professor for Film and Television at the University of 
East Anglia, UK. His research has focused on the lesser-researched 
genres of television including Television Sitcom (2008) and Invisible 
Television (2012). More recently, he has focused on Animals on 
Television (2017)



And a focused PhD Panel


Abstract Submissions:

Please submit your abstracts for papers, panels, roundtables, 
screenings, posters, etc. to the following address: 
(CSTconference /at/ edgehill.ac.uk).

Paper proposals (including for visual essays) should include a title, 
your name, and affiliation as well as a short biography, and an abstract 
of less than 500 words.

Panels should include an overall abstract, as well as paper abstracts 
and the names, affiliations and biographies of all panelists.

Roundtables should include an overall abstract, as well as the names, 
affiliations and biographies of all contributors.

Screenings should include a title, abstract of the film/ programme as 
well as names, affiliations and biographies of the main contributors.


Deadline for submission of abstracts is 20th March 2020.

Successful applicants will be notified by 6th April 2020.

Projected Costs:
We will make several registration fees available, but projected costs 
for the three-day registration are:

Early bird: £195
Early bird concession: £120
Full registration: £245
Full registration concession: £155

On Campus Accommodation including breakfast will be approx. £55/ per night.

For any questions, please don’t hesitate to contact us at 
(CSTconference /at/ edgehill.ac.uk) or Elke directly: (weissmae /at/ edghill.ac.uk).


The conference is organised by Critical Studies in Television, ECREA 
Television Studies and the Department of Media and Performing Arts, Edge 
Hill University.
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