[Commlist] New content: Science Fiction Film & Television 13.1 published

*The latest issue of /Science Fiction Film & Television/ is now 
available online.*

Liverpool University Press is pleased to inform you of the latest 
content in /Science Fiction Film & Television/, a highly regarded 
publication that is essential reading for those working in and 
researching science fiction studies.

This month’s issue is a special issue on the legacies of the /Blade 
Runner/ franchise in light of the new questions prompted by the recent 
sequel and newly expanded /Blade Runner /cinematic universe. Browse all 
articles here 
<https://online.liverpooluniversitypress.co.uk/toc/sfftv/13/1?ai=sd&ui=51qs&af=T>.

To recommend a subscription to /Science Fiction Film & Television /to 
your library please complete this form 
<https://online.liverpooluniversitypress.co.uk/recommend>.


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_Table of contents_

/Legacies of Blade Runner 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.1?ai=sd&ui=51qs&af=T> 
/

Sarah Hamblin and Hugh C. O’Connell

/Vitality and reproduction in Blade Runner 2049 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.2?ai=sd&ui=51qs&af=T> 
/

Sherryl Vint

/Blade Runner 2049’s incongruous couplings: Living and dying in the 
Anthropocene 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.3?ai=sd&ui=51qs&af=T> 
/

Sarah Hamblin and Hugh C. O’Connell

/Race in the Blade Runner cycle and demographic dystopia 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.4?ai=sd&ui=51qs&af=T> 
/

Edward K. Chan

/Blade Runner 2049 and the ‘quality’ Hollywood film 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.5?ai=sd&ui=51qs&af=T> 
/

Geoff King

/A symposium on the legacies of Blade Runner: Cyberpunk’s masculinist 
legacy: Puppetry, labour and ménage à trois in Blade Runner 2049 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6?ai=sd&ui=51qs&af=T> 
/

Graham J. Murphy

/‘Cells. Interlinked’: Sympathy and obligation in Blade Runner 2049 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6a?ai=sd&ui=51qs&af=T> 
/

Keren Omry

/‘I’ve heard things you people wouldn’t imagine’: Blade Runner’s aural 
lives 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6b?ai=sd&ui=51qs&af=T> 
/

Paweł Frelik

/The director’s cut: Denis Villeneuve before Blade Runner 2049 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6c?ai=sd&ui=51qs&af=T> 
/

Amy J. Ransom

/Seven inquiries on the antediluvian labour market of cinematic ‘sf 
auteurs’ and Blade Runner 2049 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6d?ai=sd&ui=51qs&af=T> 
/

Ida Yoshinaga

/We, the people of Blade Runner 2049 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6e?ai=sd&ui=51qs&af=T> 
/

Phillip E. Wegner

/Dystopia fatigue doesn’t cut it, or, Blade Runner 2049’s utopian 
longings 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.6f?ai=sd&ui=51qs&af=T> 
/

Sean Guynes

/Book reviews 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.7?ai=sd&ui=51qs&af=T> 
/

Alison Sperling and Russ Hamer

/DVD reviews 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.8?ai=sd&ui=51qs&af=T> 
/

Benjamin J. Robertson, Christian L. Pyle, Don Kelly, and Marta F. Suarez

/About the contributors 
<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2020.9?ai=sd&ui=51qs&af=T> 
/

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