[Commlist] CFP Radical Immersions: Navigating between virtual/physical environments and information bubbles

Radical Immersions: Navigating between virtual/physical environments and 
information bubbles
8 – 10 September 2019, Watermans Arts Centre London

Over the past years, immersive technologies have been hyped as consumer 
gadgets, entertainment media and the future of exhibition practices. The 
free distribution of VR headsets with smartphones and the increasing 
interest of museums, festivals and other cultural organisers towards 
‘immersive digital content’ have quickly turned VR and AR devices and 
applications into widely recognized cultural artefacts. The promotion of 
‘full immersion’ in the physical spaces of exhibitions and museums has 
led to some venues relying solely on interactive projections and 
audience interaction. However, just like many earlier ‘new media’ before 
them, the hyperbolic promises attached to these technologies’ supposed 
capacity to deliver immediacy and trigger a paradigm shift in media 
culture have thus far hardly become reality. The Digital Research in the 
Humanities and Arts (DRHA) conference 2019 will examine these 
perspectives on immersion in digital culture, and aims to identify some 
of their broader ideological frameworks as well as to develop detailed 
insights into the workings of specific technologies in relation to their 
promises.

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 KEYNOTE SPEAKERS: - Prof Matthew Fuller (Goldsmiths University of London)
- Dr Maria Chatzichristodoulou (aka Maria X; London Southbank University)

Radical Immersions is convened by Dr Dani Ploeger and Dr Elena Papadaki, 
and hosted by The Royal Central School of Speech and Drama in 
cooperation with Watermans Arts Centre.
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CALL FOR PAPERS AND POSTERS
- We are inviting papers and poster presentations that address questions 
including, but are not limited to, the following:
- How are the promises and expectations of VR, AR and other immersive 
consumer technologies embedded in broader cultural ideologies of 
progress and innovation?
- What are the tensions created between immersive technologies and 
physical environments?
- How is the space between an all-digital artwork and an all-physical 
exhibition space negotiated?
- How do the material aspects of immersive technologies’ hardware affect 
the generation and perception of immersive content?
- How might the design, marketing and use of digital platforms determine 
the ways in which online information communities are formed?
- To what extent might online ‘filter bubbles’ and other immersive 
information environments bear parallels to post-structuralist 
understandings of rhizomatic and fluid meaning-making in text?
 CALL FOR ARTWORKS
In parallel with the conference, a group exhibition will be presented at 
Watermans Arts Centre in September 2019. The exhibition will be curated 
by Klio Krajewska (Head of New Media Arts Development, Watermans). We 
are inviting proposals for artworks that engage critically with 
immersive technologies, news media, and digital culture.

Please submit your abstracts and work proposals at: 
http://www.2019.drha.uk/ Deadline: 30th April 2019 midnight.


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