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[Commlist] New book - Mute Records: Artists Business, History
Wed Mar 06 13:04:45 GMT 2019
*New Book Announcement *
*Mute Records: Artists, Business, History*
Zuleika Beaven (Middlesex University), Marcus O’Dair (University of the
Arts), Richard Osborne (Middlesex University)
Media of Mute Records
Mute Records is one of the most influential, commercially successful and
long-lasting of the British independent record labels formed in the wake
of the late-1970's punk explosion. Yet, in comparison with
contemporaries such as Rough Trade or Stiff, its legacy remains
under-explored.
This edited collection addresses Mute's wide-ranging impact. Drawing
from disciplines such as popular music studies, musicology, and fan
studies, it takes a distinctive, artist-led approach, outlining the
history of the label by focusing each chapter on one of its acts. The
book covers key moments in the company's evolution, from the first
releases by The Normal and Fad Gadget to recent work by Arca and Dirty
Electronics. It shines new light on the most successful Mute artists,
including Depeche Mode, Nick Cave, Erasure, Moby, and Goldfrapp, while
also exploring the label's avant-garde innovators, such as Throbbing
Gristle, Mark Stewart, Labaich, Ut, and Swans. /Mute Records/ examines
the business and aesthetics of independence through the lens of the
label's artists.
*Praise for the book*
**
“An important history of a highly significant British label, this
deliciously wide-ranging collection considers an array of key artists
approached from always stimulating perspectives: issues of production,
promotion and reception in an emerging Depeche Mode, the meaning of
noise in Throbbing Gristle's industrial odyssey and the challenging
photographic depictions of Alison Goldfrapp, to name only a few.” –
*/Simon Warner, Visiting Research Fellow, Popular Music Studies,
University of Leeds, UK, and author of Kerouac on Record: A Literary
Soundtrack (Bloomsbury, 2018)/*
*/
/*
“This excellent and innovative collection demonstrates the value of
making a record company the basis of investigation into the tangled
relations between music, creativity, and business. It helps that the
choice of company is one of the world's most adventurous and fascinating
record labels.” – */David Hesmondhalgh, Professor of Media, Music and
Culture, University of Leeds, UK, and author of Why Music Matters (2013)/*
*/
/*
“Mute Records is one of independent music's most iconic labels, and with
this book it finally gets the scholarly treatment it deserves. /Mute
Records: Artists, Business, History/ is a much-needed compendium that
makes an important contribution to the industrial history of popular
music studies.” – */Devon Powers, Associate Professor of Advertising,
Temple University, and author of Writing the Record: The Village Voice
and the Birth of Rock Criticism (2013)/*
*/
/*
“A delight for fans and scholars, /Mute Records/ explores some of the
most exciting and influential music of the past four decades. A record
label born in a bedroom, Mute mixed the weird and the danceable, the
avant garde and the mainstream, and in the process became a cozy home
for platinum hitmakers and obscurantists alike. While upholding
staunchly indie principles, Mute pioneered an electronic roots music
that stands as a foundation for much contemporary dance-pop. The
collection offers smart and passionate analyses of stars like Depeche
Mode, Nick Cave, Moby and Goldfrapp alongside insightful essays on indie
artists who helped shape the synthetic sound of our time. A model of
interdisciplinary scholarship, the volume ranges across musicological,
industrial, and sociological approaches, with particular attention to
the radical gender and sexual politics of key artists. An example of
popular music studies at its very best.” – */Keir Keightley, Associate
Professor of Popular Music and Culture, University of Western Ontario,
Canada/*
“There is plenty here to enjoy ... Among the best chapters by far are
those flowing out of the stories of feminism, gay activism and sheer
theatricality.” – */The Wire/*
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