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[ecrea] PhD studentships at University of Reading
Mon Nov 12 23:47:59 GMT 2018
The Department of Film, Theatre & Television at the University of
Reading is part of the South Wales and West Doctoral Training
Partnership which offers funded PhD scholarships to UK and EU students
across a consortium of nine universities. We welcome proposals related
to the themes outlined by the DTP: - Cultural Transmission,
Translation and Migration
- Visual and Textual Aesthetics and Materialities
- Environmental and Regional Pasts and Futures
- Politics, Policies and Values
- STEMM Subjects and Objects
- Conflict and Post-Conflict
Students will be co-supervised across institutions in the consortium.
The application system opens on 3rd December, and the closing date for
applications is 18th January. More information can be found here:
https://www.sww-ahdtp.ac.uk/about/sww2/
The Department of Film, Theatre & Television at Reading offers
specialist supervision in the areas of film, theatre and television and
supports a variety of interdisciplinary and practice-based doctoral
projects. Our Minghella Studios feature a digital cinema, two theatres
and an experimental performance space, a digital sound
stage/multi-camera television studio, editing rooms, audio
post-production spaces and a sound studio and we work with a range of
local and national theatre companies and arts organisations. The
University hosts several important archives, including those of Samuel
Beckett and Stephen Dwoskin. The department is currently engaged in
three major funded research projects, on Intermediality and the history
of Brazilian Cinema, the histories and legacies of Harold Pinter, and
the legacies of Stephen Dwoskin.
Our research focuses particularly on stage and screen performance and
production in the twentieth and twenty-first centuries. Academic staff
specialise in the following areas:
Film: The analysis and histories of cinema, including work on
mise-en-scène, alternative cinema and artists’ film, new digital and 3D
forms, US film culture and film style, realism and world cinema, cinema
and intermediality, landscape in film and ecocriticism.
Theatre: Beckett’s drama for stage and screen, twentieth and
twenty-first-century British, Irish and European theatre and
performance, performance analysis, gender and performance, theatre
companies, directors and working practices, diasporic performance,
political theatre and multimedia and interdisciplinary
practice-as-research allied to written scholarship.
Television: British and US TV drama and documentary, contemporary
television, popular and youth television and new media, transnational
television and film.
For more information, see
https://www.reading.ac.uk/ftt/meet-the-team/ftt-meet-the-team.aspx
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