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[ecrea] CFP: International Conference on Landscape and Cinema_FLUL_Lisbon
Wed Jun 13 20:27:29 GMT 2018
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International Conference on Landscape and Cinema
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December 3 and 4, 2018
School of Arts and Humanities, University of Lisbon
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CFP
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Cinema portrays, creates and decodes landscape, while proceeding as its
allegory. Echoing its spatial display of physical elements and
confronting it with a soundscape, filmic landscape addresses
subjectivity, culture, ideology and theory through the contemplation of
what is frequently located at the background of the shot. The
background’s autonomy, stated by the mise- en-scène, dispositif and the
audience, allows for landscape to emerge, revealing it also as a
rhetoric process that implies a self-reflexive gaze.
Moving-image practices also take in the minutiae of what would usually
stand as the background in a narrative film as the subject matter for a
reflection on history, materiality and situatedness. A film becomes the
place where the actualization of the filmed material landscape happens
and its connection to its outside and its multiple temporalities becomes
evident. Landscape as already cinematic.
A centrifuge and fragmented image, filmic landscape renders atmosphere –
Stimmung – and functions as a dramatization element, ‘a sort of
polyptych, disseminated, repeated or altered according to a
space-organising narrative necessity (Natali, 1996, p. 15). Ever vibrant
in itself, ‘landscape is the freest element of film, the least burdened
with servile, narrative tasks, and the most flexible in converging
moods, emotional states, and spiritual experiences’ (Eisenstein, 1987, 217).
We invite proposals for individual visual works, individual papers and
pre-constituted panels (3 speakers) on topics related to landscape and
cinema, which may include but not be limited to:
Landscape’s times and duration
Backdrop, perspective, lines and points of fugue, light, shadow, colour:
landscape as
visual matter
Filmic Soundscapes
Landscape in amateur cinema
Landscape in avant-garde and experimentalism
Culturally charged landscapes
Political landscapes
Psychological landscapes
Characters in nature
Ecocinema
Colonialism and landscape
Animism, ecology and relations in the landscape
Industrialization of time and space
Confirmed keynote speakers:
JONATHAN RAYNER is Reader in Film Studies at the University of
Sheffield, UK. His research interests include Australian Cinema, auteur
studies, genre films and the interactions of landscapes and moving
images. He is the author of The Films of Peter Weir (1998), Contemporary
Australian
Cinema (2000), The Naval War Film: Genre, History, National Cinema
(2007) and The Cinema of Michael Mann (2013). He is the co-editor of
Cinema and Landscape (2010), Film Landscapes (2013),Mapping Cinematic
Norths (2016) and Filmurbia (2017).
EMANUELE COCCIA is an Associate Professor at the École des Hautes
Études en Sciences Sociales (EHESS) in Paris. His current research
topics focus on the ontological status of images and their normative
power. Among his publications: La trasparenza delle immagini. Averroè e
l’averroismo(2005), La vie sensible (2010), Le bien dans les choses
(2013), and La vie des plantes. Une métaphysique du mélange (2016).
With Giorgio Agamben as a co-editor, he published an anthology on angels
in Christian, Jewish, and Islamic contexts: Angeli. Ebraismo
Cristianesimo Islam (2009).
The conference will present film works by Portuguese visual artist
SÉRGIO TABORDA and American iconic experimental filmmaker LARRY
GOTTHEIM in Cinemateca Portuguesa – Museu do Cinema.
The time for presentations is limited to 20 minutes.
Proposals may be submitted in Portuguese or English.
To apply, please send a PDF document containing your name, institutional
affiliation, email address, the proposed title of your visual
work/paper/panel and an abstract (max 500 words) to
(comunicacao.cec /at/ letras.ulisboa.pt)
<mailto:(comunicacao.cec /at/ letras.ulisboa.pt)> by July 1
5
.
We will inform applicants by August 5.
website:
https://landscapeandcinema.wixsite.com/2018
ORGANIZERS
Elisabete Marques (Instituto de Literatura Comparada Margarida Losa,
UPorto) Filipa Rosário (CEC, ULisboa)
Raquel Schefer (CEC, ULisboa)
Ricardo Vieira Lisboa (Independent Researcher)
Susana Mouzinho (IfilNova, UNL)
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