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[ecrea] Cinema&Cie International Film Studies Journal. "Beyond Cinema" Permanent Call for Essays
Fri Feb 16 15:01:11 GMT 2018
/Cinema&Cie International Film Studies Journal/
Permanent Call for Essay "Beyond Cinema"
/
Following the so-called “digital revolution”, dramatic transformations
have affected the ways in which cinema is produced, consumed and
perceived, to the extent that it seems to have gone “beyond” itself:
beyond its very language and discourse; its traditional consumption
practices and spaces; its position and function within the social (as
well as the medial) sphere. As a consequence, during the last two
decades, research in film studies has significantly widened its scope:
the study of cinema has been re-articulated in several fields of inquiry
and through a variety of methodological approaches and
(inter)disciplinary perspectives, in an attempt to keep up with these
most recent developments.
This section of/Cinéma&Cie /aims therefore to function as a permanent
observatory of this “beyondness”. Specifically, it provides a space to
re-discuss the thresholds of the cinematic medium, as well as the
boundaries of traditional film studies, by addressing a variety of
under-investigated contexts and objects through innovative and
unconventional approaches and references.
/Beyond Cinema/encourages proposals related to the following main
frameworks:
/
/
*Cinema Beyond the Film Text.*Cinema in a transtextual perspective:
intertextual, metatextual and hypertextual relations among films,
and/or between films and other cultural products; practices of
appropriation of pre-existing images (found-footage, archival
footage, collage films, and so on).
/
/
*Cinema Beyond the Cinematic Medium*. Cinema in a transmedia
perspective: remediations and intermedial practices; processes of
translation, differentiation, assimilation, hybridization and mutual
exchange with other media formations, on both the aesthetic and
material level.
/
/
/
/
*Cinema Beyond the Movie Theatre*. Cinema in a translocational
perspective: the relocation of cinema and new forms of circulation
and consumption (from mobile phones to urban screens); musealization
and exposition of cinema and films; non-institutional forms of
filmmaking (amateur cinema and non-theatrical genres, such as the
medical, industrial, touristic film, etc.).
/
/
/
/
*Cinema Beyond Film Studies*. Cinema in a transdisciplinary
perspective: intersections between film studies and other
disciplines, from both the humanities and hard sciences (cinema and
philosophy, cinema and neuroscience, cinema and cultural studies,
etc.); the role of cinema as a didactic tool and as an instrument of
scientific inquiry.
/
/
We invite the submission of articles in English or French (max 4000
words), edited according to the journal’s style guidelines. Contributors
are also asked to provide an abstract (300-500 words), 5 keywords, and a
short biographical note (150 words).
Submissions should be sent to:(beyondcinema /at/ cinemaetcie.net)
<mailto:(beyondcinema /at/ cinemaetcie.net)>. Authors will be notified of
acceptance or non-acceptance within one month of submission. Once their
article has been assessed for suitability by the section’s editors, it
will then be peer-reviewed by anonymous, expert referees.
As a permanent call for essays of a biannual journal, /Beyond
Cinema/ presents two fixed deadlines for submission every year, as follows:
* Articles submitted by *March 30th *will be considered for
publication in the Spring issue
* Articles submitted by *October 30th* will be considered for
publication in the Fall issue
/
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