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[ecrea] Studia Phaenomenologica vol. 16 / 2016 - Film and Phenomenology
Tue Oct 25 14:18:32 GMT 2016
please find below the information regarding the latest issue of Studia
Phaenomenologica devoted to "Film and Phenomenology"
Studia Phaenomenologica vol. 16 / 2016 - Film and Phenomenology
http://www.zetabooks.com/journals/studia-phaenomenologica/studia-phaenomenologica-vol-16-2016-film-and-phenomenology.html
Please spread the word around you and your colleagues!
Kind regards,
Cristian Ciocan
Zeta Books Newsletter October 2016 View this email in your browser
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Dear Reader,
We are pleased to announce the release of our new publication:
Studia Phaenomenologica vol. 16 / 2016 - Film and Phenomenology
<http://wesend.webvertiser.ro/l/OJjYqXH4MWNtrHxTzJnEkg/TcQXWbZOjw6WXSCkFi3Azw/FoUXGC6XHZp76324YngRs7Yw>
Language: English
Periodicity: Yearly edition
Buying Options: Paperback, eBook for Individuals, Institutional Online
Access
Pages: 608
ISBN: 978-606-697-034-1 (paperback)
ISBN: 978-606-697-035-8 (eBook)
ISSN: 1582-5647 (print)
ISSN: 2069-0061 (online)
<http://wesend.webvertiser.ro/l/OJjYqXH4MWNtrHxTzJnEkg/TcQXWbZOjw6WXSCkFi3Azw/FoUXGC6XHZp76324YngRs7Yw>
*FILM AND PHENOMENOLOGY*
*[click here for the abstracts
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*Christian Ferencz-Flatz and Julian Hanich*: Editors' Introduction: What
is Film Phenomenology?
*Vivian Sobchack*: “The Active Eye” (Revisited): Toward a Phenomenology
of Cinematic Movement
*Hans Rainer Sepp*: Kamera und Leib: Film in statu nascendi
*Pierre Rodrigo*: Ontologie du mouvement, peinture et cinéma chez
Merleau-Ponty
*Anna Caterina Dalmasso*: Le plan subjectif réversible : Sur le point de
vue au cinéma à partir des écrits de Merleau-Ponty
*Orna Raviv*: The Cinematic Point of View: Thinking Film with Merleau-Ponty
*Olivier Malherbe*: Roman Ingarden et le cinéma : entre visibilité et
musicalité
*Matthew Rukgaber*: Phenomenological Film Theory and Max Scheler’s
Personalist Aesthetics
*Jean-Pierre Meunier*: Le problème de l’identification filmique reconsidéré
*Regina-Nino Mion*: Husserl and Cinematographic Depictive Images: The
Conflict between the Actor and the Character
*Claudio Rozzoni*: Cinema Consciousness: Elements of a Husserlian
Approach to Film Image
*Mauro Carbone*: The Mutation of our Relations with Screens as a
Mutation of our Relations with Being
*Corry Shores*: Cinematic Signs and the Phenomenology of Time: Deleuze
and the Visual Experience of Temporal Depth
*Jennifer Barker*: Haunted Phenomenology and Synesthetic Cinema
*Tanya Shilina-Conte*: How It Feels: Black Screen as Negative Event in
Early Cinema and 9/11 Films
*Jane Stadler*: Experiential Realism and Motion Pictures: A
Neurophenomenological Approach
*VARIA*
*Frank Chouraqui*: Circulus Vitiosus Deus: Merleau-Ponty on the Place of
Ontology within Being
*John Krummel*: Chōra in Heidegger and Nishida
*Rolf Kühn*: Das Affektive als Welt und Fremderfahrung: Zur Einheit
radikal phänomenologischer Wirklichkeit als Lebensimmanenz
*Christopher Lapierre*: Affectivité et imaginaire chez Merleau-Ponty :
Nouvelles lectures
*BOOK REVIEWS*
Mădălina Diaconu: Iris Därmann (Hg.), Kraft der Dinge. Phänomenologische
Skizzen (Paderborn: Fink, 2014)
Lucian Ionel: Thomas Sheehan, Making Sense of Heidegger: A Paradigm
Shift (London, New York: Rowman & Littlefield International, 2015)
Rolf Kühn: Jean Reaidy, Naissance mystique et divinisation chez Maître
Eckhart et Michel Henry (Paris: L’Harmattan, 2015)
Ştefan-Sebastian Maftei: Alfonsina Scarinzi (ed.). Aesthetics and the
Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy
(Dordrecht: Springer, 2015)
View details
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Best wishes,
Zeta Books
(zeta /at/ zetabooks.com) <mailto:(zeta /at/ zetabooks.com)?subject=Newsletter%20contact>
We thank you for your consideration and hope you take advantage of this
special offer.
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