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[ecrea] Publication announcement: Music and the Broadcast Experience

Mon Sep 19 18:32:09 GMT 2016



Christina Baade and James A. Deaville, Eds.: Music and the Broadcast Experience

Oxford University Press

Music and the Broadcast Experience explores the complex ways in which music and broadcasting have developed together throughout the twentieth and into the twenty-first centuries. It brings into dialogue researchers working in media and music studies; explores and develops crucial points of contact between studies of music in radio and music in television; and investigates the limits, persistence, and extensions of music broadcasting in the Internet era. The book presents a series of case studies that address key moments and concerns in music broadcasting, past and present, written by leading scholars in the field, who hail from both media and music studies. Unified by attentiveness both to musical sound and meaning and to broadcasting structures, practices, audiences, and discourses, the chapters in this collection address the following topics: the role of live orchestral concerts and opera in the early development of radio and their relation to ideologies of musical uplift; the relation between production culture, music, and television genre; the function of music in sponsored radio during the 1930s; the fortunes of musical celebrity and artistic ambition on television; questions of music format and political economy in the development of online radio; and the negotiation of space, community, and participation among audiences, online and offline, in the early twenty-first century. The collection's ultimate aim is to explore the usefulness and limitations of broadcasting as a concept for understanding music and its cultural role, both historically and today.

Chapter 1: Broadcasting-Concerts - Jenny Doctor
Chapter 2: The Role of Opera in the Rise of Radio in the U.S. - Timothy Taylor
Chapter 3: Spectacular Sound - Shawn VanCour
Chapter 4: The Machine Hums - Louis Niebur
Chapter 5: Musical Theater Meets Reality TV - Christine Quail
Chapter 6: Frame Analysis and the National Biscuit Company's Let's Dance - Rika Asai
Chapter 7: Passing Pappy's Biscuits - Alexander Russo
Chapter 8: Toscanini, Ormandy, and the First Televised Orchestra Concert(s) - James Deaville
Chapter 9: John, Yoko, and Mike Douglas - Norma Coates
Chapter 10: Radio Formats in the United States - Ron Rodman
Chapter 11: Music Radio Goes Online - Tim Wall
Chapter 12: New Media, New Festival Worlds - Fabian Holt
Chapter 13: Worship on the Web - Monique Ingalls
Chapter 14: Incarcerated Music - Christina Baade

https://global.oup.com/academic/product/music-and-the-broadcast-experience-9780199314706?cc=dk&lang=en&#
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