[ecrea] Alphaville Issue 11 - Cinema Heritage in Europe & Call for Papers: Issue 13 "Screening Race"

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Alphaville: Journal of Film and Screen Media

Call for Papers: Issue 13 "Screening Race"
Deadline: 9 September 2016
Full information: http://alphavillejournal.com/CFP.html


Call for Submissions: conference, film festival, and exhibition reports

The editors of Alphaville: Journal of Film and Screen Media seek reports 
for Issue 12, to be published January of 2017. Potential contributors 
are invited to contact the Reports Editor to agree the submission of a 
conference, film festival or exhibition report. Submissions in MLA 
style, along with a short biographical note and contact information, 
will be due by 30th of September 2016. Reports and interviews should be 
1,500-2,500 words in length and should be original, unpublished in print 
or electronically, and not under consideration elsewhere.

Guidelines are available at: 
http://www.alphavillejournal.com/Guidelines.html

Please contact the Reports Editor, Caroline Schroeter, at: 
(caroline.alphaville /at/ gmail.com)
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The Editorial Board of Alphaville: Journal of Film and Screen Media is 
delighted to present Issue 11: Cinema Heritage in Europe edited by 
Pierluigi Ercole (De Montfort University), Daniela Treveri Gennari 
(Oxford Brookes University), Silvia Dibeltulo (Oxford Brookes 
University) and Lies Van de Vijver (Ghent University).

Now online at http://www.alphavillejournal.com

Contents:

Cinema Heritage in Europe: Editorial
Pierluigi Ercole, Daniela Treveri Gennari, Silvia Dibeltulo, and Lies 
Van de Vijver

New Cinema History and the Comparative Mode: Reflections on Comparing 
Historical Cinema Cultures
Daniel Biltereyst, Ghent University, and Philippe Meers, University of 
Antwerp

Cinemagoing as Spatially Contextualised Cultural and Social Practice
Elisa Ravazzoli, Institute for Regional Development and Location 
Management, EURAC Research

Cinema Parisien 3D: 3D Visualisation as a Tool for the History of 
Cinemagoing
Julia Noordegraaf, Loes Opgenhaffen, and Norbert Bakker, University of 
Amsterdam

Ethnography as a Tool of Cinema History: Cinemagoing in Light of the 
Experience of a Local Film Market
Jean-Marc Leveratto and Fabrice Montebello, Laboratoire Lorrain de 
Sciences Sociales, Université de Lorraine

Narrative Modes of Cinemagoing Memories
Susanne Haake, University of Education Weingarten

Visualising Data in Digital Cinema Studies: More than Just Going through 
the Motions?
Deb Verhoeven, Deakin University


Reviews:
(Editor Marian Hurley)
The Magic World of Orson Welles. James Naremore. University of Illinois 
Press, 2015.
Shannon Scott, University of St. Thomas

The History of British Literature on Film, 1895–2015. Greg M. Colón 
Semenza and Bob Hasenfratz. Bloomsbury Academic, 2015 Kevin M. Flanagan, 
University of Pittsburgh

Swashbucklers: The Costume Adventure Series. James Chapman. Manchester 
University Press, 2015.
Lucinda Pope, University of Reading

The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, 
Alejandro González Iñárritu and Alfonso Cuarón. Deborah Shaw. Manchester 
University Press, 2013.
Elliot Hardman, Liverpool Hope University

Laurent Cantet. Martin O’Shaughnessy. Manchester University Press, 2015.
Ally Lee, University of Warwick


Reports: (Editor Loretta Goff)

45th International Film Festival Rotterdam
Emre Çağlayan, University of Brighton and University for the Creative Arts

12th Irish Screen Studies Seminar
Loretta Goff, University College Cork


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