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[ecrea] Film Studies - issue 14 - Institutions and Agency, part II

Sat Jul 30 23:46:46 GMT 2016





The editors of FILM STUDIES are pleased to announce the release of number 14, the second part of a double issue on the subject of ‘Institutions and Agency’.

Under the auspices of the new film history, media industry studies, the new political economy of communication and others, film and media scholars have increasingly attended to institutions. This trend agitates against the long disciplinary tradition by which media have been appreciated as the expressions of subjective visions and artistic designs. To be sure, the new institutional approaches are not without their critics, who have maligned them as inflexible, reductive and ignorant of extra-economic motivations, cultural inflections and individual decisions.

How can film and media scholarship effectively seek both macro /and/ micro explanations and attend to both larger networks /and/ human agency? Part II of this special issue of /Film Studies/ seeks to answer this question by collecting a diverse series of case studies that illustrate such comprehensive approaches.

Access online (including past issues) via:


http://www.manchesteruniversitypress.co.uk/journals/film-studies/ <http://www.manchesteruniversitypress.co.uk/journals/film-studies/>


Editorial: Institutions and Agency (Part II)

/Mattias Frey/

*Articles*

Autonomy and Dependency in Two Successful UK Film and Television Companies: An Analysis of RED Production Company and Warp Films

/Andrew Spicer and Steven Presence /

Quantifying National Cinema: A Case Study of the Irish Film Board

1993–2013

/Roddy Flynn /and /Tony Tracy /

How to Write a Horror Film: The Awakening (2011) and Development

Practices in the British Film Industry

/Alison Peirse/

Individual, Network, Assemblage: Creating Connections on the Global

Film Festival Circuit

/Luke Robinson/

Elevating the Film Review: Critics and Critical Practice at the Monthly

Film Bulletin

/Richard Lowell MacDonald /

*Book Reviews of:*

David Andrews, Theorizing Art Cinemas: Foreign, Cult, Avant-Garde, and Beyond

Michael Curtin, Jennifer Holt and Kevin Sanson (eds), Distribution

Revolution: Conversations about the Digital Future of Film and Television

Karina Aveyard and Albert Moran (eds), Watching Films: New Perspectives

On Movie-Going, Exhibition and Reception

Barrie Gunter, Celebrity Capital: Assessing the Value of Fame

Peter Bosma, Film Programming. Curating for Cinemas, Festivals, Archives


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