[ecrea] new issue of Participations¸vol 13.1

http://www.participations.org/Volume%2013/Issue%201/contents.htm

Volume 13, Issue 1

(May 2016)
	

Editorial

Rosenbaum, Judith:
‘'"We regret to inform you that …": Academia and the power of rejection 
improvement'’



Articles

Gross, Jonathan & Stephanie Pitts:
'Audiences for the contemporary arts: Exploring varieties of 
participation across art forms in Birmingham, UK'

O’Neill, Sinéad, Joshua Edelman & John Sloboda:
'Opera and emotion: The cultural value of attendance for the highly engaged'

Parsemain, Ava Laure:
'Do critical viewers learn from television?'

Wiard, Victor & David Domingo:
'Fragmentation versus convergence: University students in Brussels and 
the consumption of TV series on the Internet'

Yecies, Brian, Jie Yang, Aegyung Shim, Kai Soh & Matthew Berryman:
'The Douban online social media barometer and the Chinese reception of 
Korean popular culture flows'

Themed Section 1: ‘Secret Cinema’

Atkinson, Sarah & Helen W. Kennedy (Themed Section Editors):
'Introduction: Inside-the-scenes – The rise of experiential cinema'

Pett, Emma:
'"Stay disconnected": Eventising Star Wars for transmedia audiences'

Svensson, Alexander & Dan Hassoun:
'"Scream into your phone": Second screen horror and controlled 
interactivity'

McCulloch, Richard & Virginia Crisp:
'"Watch like a grown up … enjoy like a child": Exhibition, authenticity, 
and film audiences at the Prince Charles Cinema'

Levitt, Linda:
'Hollywood, nostalgia, and outdoor movies'

Vivar, Rosana:
'A film bacchanal: Playfulness and audience sovereignty in San Sebastian 
Horror and Fantasy Film Festival'

Atkinson, Sarah & Name Name (Themed Section Editors):
'From conflict to revolution: The secret aesthetic, narrative 
spatialisation and audience experience in immersive cinema design'

Themed Section 2: ‘Consortium on Emerging Directions in Audience Research’

Ranjana, Das & Brita Ytre-Arne (Themed Section Editors):
'After the excitement: An introduction to the work of CEDAR'

Mathieu, David, Miguel Vicente-Mariño, Maria José Brites, Inês Amaral, 
Niklas A. Chimirri, Juliane Finger, Bojana Romic, Minna Saariketo, 
Riitta Tammi, Marisa Torres da Silva & Liliana Pacheco, with 
contributions from Félix Ortega:
'Methodological challenges in the transition towards online audience 
research'

Stehling, Miriam, Juliane Finger & Ana Jorge:
'Comparative audience research: A review of cross-national and 
cross-media audience studies'

Kaun, Anne, Jannie Møller Hartley & Janis Juzefovics:
'In search of the invisible (audiences)'

Pavlícková, Tereza & Jelena Kleut:
'Produsage as experience and interpretation'

Mollen, Anne, Minna Saariketo & Jelena Kleut:
'Intersecting audience activities: An audience studies perspective on 
the materiality of design, platforms and interfaces'

Ridder, Sander De, Lucia Vesnic-Alujevic & Bojana Romic:
'Challenges when researching digital audiences: Mapping audience 
research of software designs, interfaces and platforms'

Murru, Maria Francesca:
'Listening, temporalities and epistemology: A hermeneutical perspective 
on mediated civic engagement'

Murru, Maria Francesca & Miriam Stehling, with contributions from Inês 
Amaral & Marco Scarcelli:
'The civic value of being an audience: The intersection between media 
and citizenship in audience research'

Vesnic-Alujevic, Lucia & Maria Francesca Murru:
'Digital audiences' disempowerment: Participation or free labour'

Dias, Patrícia & Ana Jorge:
'Audience experiencing of emotions in the contemporary media landscape'

Zaborowski, Rafal & Fredrik Dhaenens:
'Old topics, old approaches? "Reception" in television studies and music 
studies'

Mathieu, David, Maria José Brites, Niklas A. Chimirri & Minna Saariketo:
'In dialogue with related fields of inquiry: The interdisciplinarity, 
normativity and contextuality of audience research'

Themed Section 3: ‘Exploring imaginary worlds: Audiences, fan cultures 
and geographies of the imagination’

Wolf, Mark J.P:
'Foreword'

Proctor, William & Richard McCulloch (Themed Section Editors):
'Introduction'

White, Daniel:
'Middle Earth Music: The sonic inhabitation of a fantasy world'

O’Malley, Evelyn:
'Imagining Arden: Audience responses to place and participation at 
Taking Flight Theatre Company's As You Like It'

Jamieson, Gill & Ann McVitie:
'Noir Building?: Understanding the immersive fandom of Noir City'

Reagin, Nancy:
'Dances With Worlds: Karl May, "Indian" hobbyists, and German fans of 
the American West since 1912'

McCormick, Casey:
'"There's More Than One of Everything": Navigating Fringe's Cofactual 
Multiverse'

Lyczba, Fabrice:
'Spectatoritis vs. World-Building: Sandbox spectatorship in American 
children's silent film culture'

Spanò, Carmen:
'Audience engagement with multi-level fictional universes: The case of 
Game of Thrones and its Italian fans'

Norris, Craig:
'Japanese media tourism as World-Building: Akihabara's Electric Town and 
Ikebukuro's Maiden Road'

Hassler-Forest, Dan:
'Skimmers, Dippers and Divers: Campire's Steve Coulson on transmedia 
marketing and audience participation'


Reviews

Wolf, Mark J.P:
Building Imaginary Worlds: The Theory and History of Subcreation 
(reviewed by Martin Barker, with a response from Mark J.P Wolf)

Hassler-Forest, Dan:
Science Fiction, Fantasy, and Politics: Transmedia World-Building Beyond 
Capitalism (reviewed by Bethan Jones)


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