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[ecrea] CATH Postgraduate Conference - Production Studies: Film, Television and their Industrial Contexts

Wed May 25 19:11:33 GMT 2016




Registration is now open for the fifth annual CATH Postgraduate Conference, ‘Production Studies: Film, Television and their Industrial Contexts’. This free one day conference will be held on 15 June 2016 at De Montfort University.

You can register to attend the conference here <https://www.eventbrite.co.uk/e/production-studies-cath-centre-postgrad-conference-de-montfort-university-tickets-25315607664?utm_campaign=new_event_email&utm_medium=email&utm_source=eb_email&utm_term=viewmyevent_button>.

The confirmed keynote speaker is Bridget Conor, Senior Lecturer at King’s College London and co-editor of /Production Studies, the Sequel!: Cultural Studies of Global Media Industries/ (2015).

The conference will conclude with a round table discussion with three industry professionals: scriptwriter and producer Graham Duff, CG generalist B Jones and writer/director Will Jewell.

Please find the schedule below:

*The Cinema and Television History (CATH) Research Centre presents:*

*Production Studies: Film, Television, and their Industrial Contexts*

**

*A postgraduate conference organised in association with BAFTSS*

**

*Wednesday 15 June 2016*

**

*Clephan Building, De Montfort University*

_Schedule_

09.00 - 09.30Registration (Clephan Building: Third Floor Lobby)

09.30 - 10.30Keynote: Invisible Labour/Invisible Workers in Media Production Studies -

Dr. Bridget Conor (Kings College London) CL3.01

10.30 - 10.45Break CL3.02

10.45 - 12.25Parallel Panels (1)

*The Role of Women in Film and Television Production *CL3.01

	

*Production for Contemporary Audiences*

CL3.03

Frances Galt (De Montfort University) - /Patterns of Discrimination against Women in the Film and Television Industries/ Report (1975): A Historical Context

	

Cassie Brummitt (De Montfort University) - Pottermore: The Production of a Digital Adaptation

Ania Ostrowska (University of Southampton) – I’m Not Very Good At Compromising…’ Creative Agency of Women Documentarians Working With British TV Channels

	

Gloria Dagnino (Università della Svizzera italiana) - Friends with (conflicting) Benefits? Industrial and Cultural Relations Between Italian Film Producers and Product Placement Agents

Jennifer Voss (De Montfort University) - ‘The Hardest Working Girl in Hollywood’: Clara Bow, Louise Brooks and the Welfare of the Performer

	

Jinuo Diao (University of St Andrews) - Under the Profit Push Trend: What is Happening to Production in the Contemporary Chinese Film Industry

Munira Cheema (University of Sussex) - The Production of Gender-based Content in Pakistani Television Industry

	

Anna Potter (University of Sunshine Coast) - Digitally Disrupting Programming and Production Practices: Tales from the Children’s Television Industry

12.25 - 13.10Lunch CL3.02

13.10 - 14.50Parallel Panels (2)

*National Contexts of Production*

CL3.01

	

*The Lives of Production Workers*

CL3.03

Marc Rose (University of Portsmouth) - Creative Identity in British Music Video: Exploring Oil Factory and Sophie Muller

	

Laura Taylor (Leeds Beckett University) - Self-Shooting for Documentary and Factual

Maya Nedyalkova (University of Southampton) - On a Mission to Win: Contemporary Bulgarian Producer Dimitar Mitovski and His Comedy Feature /Mission London/

	

Karl Rawstrone (University of West of England/Bournemouth University) - Methodological Issues: Questions and Interventions in the Qualitative Interview

Andre Dechert (University of Augsburg) - Looking to America: A Transnational History of Early West German Television in the 1950s

	

Laura Fryer (De Montfort University) - Screenwriting, Self-Adaptation and Collaborative Authorship: Ruth Prawer Jhabvala’s /The Householder /and /Heat and Dust/

Alejandra Castano Echeverri (University of Leicester) - Creative Labour and Public Value: Contextual Specificity and Impact on Colombian Public Broadcasting System

	

Geoff Brown (De Montfort University) - A Fly on the Wall in 1929: The Production Diary of David Cunyghame at British International Pictures

14.50 - 15.05Break CL3.02

15.05 - 16.45 Parallel Panels (3)

*Production Workers as Creative Workers*

CL3.01

	

*Genre and Generic Context of Production*

CL3.03

Tim Heath (Royal Holloway) - “Idiots Turned Engineers.” The Redistribution of skill in British Television Dubbing

	

Daniel Klug (University of Basel) - ‘It’s Not What It looks Like’: The Context of Scripted Reality Production

Tom Symmons (/Early Career Researcher/) - New Hollywood Cinematographers

	

Eva Pjajcikova (Masaryk University) - Czech Television Crime Series Constructing their Identities

Rowan Aust (Royal Holloway) - The Lives of Television Editors

	

Kieran Foster (De Montfort University) – Dracula Unseen: Hammer’s Unmade Films

Dr Douglas McNaughton (University of Brighton) - ‘Visible’ and ‘Invisible’ Performance: Framing Performance in 1970s Television Drama Production

	

Li Yuxiao (ShanDong University) - Inexperienced Content Producers Create Popular Works

16.45 - 17.00Break CL3.02

17.00 - 18.00Roundtable with Industry Guests: Graham Duff, B. Jones and Will Jewell CL3.01

18.00 - 18.30Wine Reception CL3.02

19.00Conference Dinner – The Boot Room, Leicester


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*Cinema and Television History (CATH) Research Centre Postgraduates*

Room 3.06J
School of Media and Communication
Clephan Building
De Montfort University
The Gateway
Leicester
LE1 9BH

e: (cath.postgrad /at/ gmail.com) <mailto:(cath.postgrad /at/ gmail.com)>

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